The Sound of the Sea, Cynthia Barnett (the story of seashells, their use in commerce and in adornment, their place in the ecosystem, and their future with global warming)
The Seine, Elaine Scioline (it's not just the river that runs through Paris; the Seine in social, geological, and historical perspective)
Beyond (The Founding of Valdemar, Book 1), Mercedes Lackey (Lackey's finally back on track with this story of how Baron Valdemar escapes a ruthless regime with his people)
The Enigma Game, Elizabeth Wein (a biracial girl in World War II Britain looks for a place to serve; features a wonderful lead in Louisa and also Jamie Beaufort-Stuart from Code Name Verity)
Northland, Porter Fox (Fox canoes, rides aboard ship, and travels along the US/Canadian border)
The Secret History of Home Economics, Danielle Drellinger (not just for girls, but a fascinating book about how home economics studies led to women's freedom)
A Valiant Deceit, Stephanie Graves (book two in the Olive Bright, Pigeoneer, series, and even better than the first)
Uncle Tungsten, Oliver Sacks (Sacks' "chemical upbringing" in a decidedly non-stereotypical British family)
The Vanished Bride, Bella Ellis (the first of Ellis' Brontё sisters mysteries, where Charlotte, Emily, and Anne manage to keep their characters and virtues while playing detective)
Birder on Berry Lane, Robert Tougias (a year in the life of birder Tougias in just exploring the countryside around his home)
This Hill, This Valley, Hal Borland (excerpts from Borland's long-running nature column in the "New York Times"; Gladys Taber suggested that everyone should have this book at their bedside)
Bryant & May: Oranges and Lemons, Christopher Fowler (the penultimate in Fowler's delightful mystery series, with the elderly pair and their gang of misfits investigating a mystery that involves a nursery rhyme)
Honorable mentions to: The Consequences of Fear, Jacqueline Winspear (next in the Maisie Dobbs series, so always good)
The Mitford Murders, Jessica Fellows (governess to the famous Mitford sisters helps solve a murder)
The Story of the British Isles in 100 Places, Neil Oliver (British place hopping always good!)
Once Upon a Wardrobe, Patti Callihan (a little boy with a heart condition and his older, maths-obsessed sister seek to find out "where Narnia came from")

Showing posts with label geography. Show all posts
Showing posts with label geography. Show all posts
31 December 2021
My List of Dozen Best Books Read in 2021
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31 December 2019
Favorite "Dozen" Books of 2019
Once again, there's the difficulty of having to narrow these down to a dozen; I usually end up with the traditional baker's dozen [thirteen] instead. If this was a "best books," maybe the Griffo wouldn't be on here, because there's a bit in the story that's on the edge of credulity. But, being a "favorite," it needs to stay, because I was just so delighted with the protagonist being a retirement-age Italian granny. So I guess my "dozen" will have to be fifteen entries and sixteen books this year.
The Bowery Boys Adventures in Old New York, Greg Young and Tom Meyers (taken from a podcast about historical areas of NYC, both still extant and now demolished)
Cool Hand Lou: My Fifty Years in Hollywood and on Broadway, Lou Antonio (an autobiography of the actor and director)
A Forgotten Place, Charles Todd (the latest Bess Crawford mystery, written in a Gothic style)
Dear Mrs. Bird, A.J. Pearce (a young British girl survives the Blitz while working on a stodgy women's magazine)
Dorothy L. Sayers: Her Life and Soul, Barbara Reynolds (biography of the Lord Peter Wimsey author)
Underland, Robert MacFarlane (MacFarlane's tour-de-force about places underground from caves to crevasses to the catacombs of Paris)
Saving Jemima: Life and Love with a Hard-Luck Jay, Julie Zickefoose (Zickefoose's story of the rescue and raising of a blue jay)
The Rise of the Rocket Girls, Nathalia Holt (great story of the women who would work with the first rocket programs)
A Death of No Importance/Death of a New American, Mariah Fredericks (the first two books in Fredericks' new series taking place in the 1920s, with a heroine who is not a 21st century woman in 20th century clothes)
How Star Wars Conquered the Universe, Chris Taylor (the film series from George Lucas' original idea to hark back to the old movie serials to the present, with chapters on SW fandom)
Moonbound: Apollo 11 and the Dream of Spaceflight, Jonathan Fetter-Vorm (the American space program that put man on the moon, told in a graphic novel—perfect!)
Murder on Memory Lake, J.D. Griffo (starting new series with an unconventional heroine: a 60-ish Italian grandmother—when she exclaimed "Ah, Madon!" I knew I was home)
A Gentleman's Murder, Christopher Huang (British murder mystery with an unconventional narrator, a biracial man, post First World War)
The Body on the Train, Frances Brody (the latest in Brody's Kate Shackleton mystery series, and, if not the best, probably in the top three—great story!)
On the Map, Simon Garfield (another great book from Garfield, this time on the history of maps and mapmaking)
What's next? Oh, as Betty Roberts would say with delight, so many things! I have three ARCs to read first, one the latest Maggie Hope mystery story, and then I have Nathalia Holt's new book about the women at Walt Disney's animation department, The Secret Commonwealth as well as Philip Pullman's book about writing, and I still haven't gotten to Tony Horwitz's final book...
What's next? Oh, as Betty Roberts would say with delight, so many things! I have three ARCs to read first, one the latest Maggie Hope mystery story, and then I have Nathalia Holt's new book about the women at Walt Disney's animation department, The Secret Commonwealth as well as Philip Pullman's book about writing, and I still haven't gotten to Tony Horwitz's final book...
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30 November 2019
Books Completed Since November 1
I don't always make it, but I've tried to keep with my retirement resolution of trying to walk at least one mile every day. This usually involves me taking the dog through our very small neighborhood and out to the main street, which sounds rather bland except that the rental condo complex across the road is very badly maintained, and a good deal of Georgia wild plants live on that small section of roadside so that I can watch the seasons go by: buds to flowers to green leaves to berries to the hard knobs of the buds waiting for winter's end. So I was intrigued by this book by Holmes, who basically tracks wildlife and wild plants in her own backyard.
I'm a piker compared to Holmes; she has a good deal of land which she has apportioned areas for wildlife, a butterfly garden, compost heap, birdhouses, all that, and she calls on scientists to explain her findings. In the course of a year she observes squirrels, chipmunks (one whom she allows to run in and out of her house!), crows, all matter of insects. She also tries to keep a drought-proof, pesticide-free lawn without ticking off the neighbors who wouldn't accept a scraggly meadow in their midst, and discover earthworms aren't always good for the earth, talks about plants who actively fight off any other kind of plant, and discusses invasive species.
Who knew a back yard could be teeming with such life, even a pocket sized one like we have, backed with a little stand of trees? While I won't be going out there to watch bugs or let a chipmunk run wild through my home, it's astonishing to discover what a cool little microcosm it is. Thoroughly enjoyed this romp through suburban nature.
I can take or leave Star Trek original novels. Some, like Greg Cox's Khan trilogy, have been terrific, others I've just tossed in the trade in bin as the author presses the reset button at the end. This one is definitely interesting, filling in the gaps of James T. Kirk's career from the little info we were given on the series (and a lot more from additional publications from both baseline Star Trek sources and novel-generated ones). It opens with his taking command of the Enterprise after commanding the scout ship USS Sacagawea from 2261 through 2265. It is during the command of Sacagawea he first meets Klingon captain Koloth and encounters other characters we will later meet on the series, and first works with Leonard McCoy. The wraparound story concerns Kirk's efforts to balance the Aulacri peoples' desire to terraform a planet where the population killed themselves in bloody civil war vs. a Andorian archaeology team who have just made an exciting find on that planet, but the narrative also travels back and forth in the Sacagawea timeline to see Kirk making the several judgments that will serve him in good stead as captain of the Enterprise. He also encounters a spacefaring society whose lifeform is quite different from the humanoid species he has formerly encountered which they at first fight and then attempt to negotiate with.
In general, this is a good story if you can keep track of the back-and-forth travel between the "present" Sacagawea adventures and her past ones (as well as the flashbacks to Vega Colony). We meet interesting new lifeforms, see Kirk deal with a crew and command staff of less homogenized human characters, the Caitians (from the animated series) appear again in a great sub-storyline, familiar names like Areel Shaw and Janet Wallace pop up, and we get to see the Kirk/Gary Mitchell friendship that was unfortunately cut short by the pilot episode (the book ends as the Enterprise sets off on that fateful mission). Bennett does have his moments of preachiness, however, and you have to sidestep some of the speeches to get to the more interesting action and technology of the story (like Samuel Goldwyn says, if you want to send a message, call Western Union—a lot of this could have been shown, not talked about). But in the end it's pretty much a keeper.
Kimball's sequel to The Dirty Life opens where the previous book left off, with Kristin and Mark married and still developing their Essex Farm, a 500-acre agriculturally diverse smallholding that sells vegetables, fruits, and meats. After a rocky start agriculturally, Kristen became pregnant (soon they were the parents of two daughters) and the farm did well for a while, with volunteers and paid workers joining their vision of selling healthy, sustainable food. But bills began to mount, the farm underwent a drought that was finally relieved, and then rain began in earnest...and kept going. Worst of all, Mark was injured, and seemed to lose all his enthusiasm for the project.
Weather problems are always a farmer's worst enemy, and financial woes dog the heels of those who provide our food. I really felt for the family during those chapters. But Mark's injury and reaction really irritated me. Naturally he had weeks where he needed to rest and let his body heal. But I found his extended lassitude annoying. He just seemed to dump everything on Kristen to play videogames on her phone (something I'm sure he would have chided her for) and moan about being human. Really disappointed in his reaction to realizing he was a vulnerable man and not some food god come to change America's eating habits.
Otherwise this was another absorbing and realistic look at non-industrial farming. Kristen can really bring the realities and the beauties of living in the country to life; she makes me feel like I'm out in those fields sweating under the sun, working with the beautiful but sometimes temperamental horses, feel the winter chill (especially in a badly-heated home that Mark refused to help her repair) and watching her children grow and embrace the farm life.
I'm back with Sister Lou LaSalle for the second in the Sister Lou mysteries. Abrasive Sister Marianna (how this contentious woman ever joined a religious order is beyond me) is rubbing events manager Autumn Tassler the wrong was as they negotiate the foods for the Advent retreat for the Sisters of St. Hermione of Ephesus, and Sister Lou, not Sister Marianna's favorite person, steps in to mediate. (Sister Marianna, predictably, wants everyone to eat boring healthy food.) Days later Tassler is found strangled in her office and when Marianna's scarf is found on the floor, she becomes a suspect. So now Sister Lou has to put her detecting shoes once more before the Sisters' congregation receives bad press for the event. Helped by her nephew Chris and their new friend, reporter Shari Henson, Lou reluctantly gets to work.
Author Matthews continues to over-describe everything in rather clichѐd style, which is aggravating (at least she didn't go on and on about Lou's blue chairs this time). And the city police officers are still the two most annoying police characters ever in cozy fiction: they decide who's the guilty party and pigheadedly believe it from then on, even when contrary evidence is under their noses. Plus mayor Heather Stanley, who is so paranoid about the town getting a bad rep that she attempts to bribe the press, really needs to be kicked out of office! (We learn a really shocking secret about her in this volume, however.)
I really enjoy the characters and setting in this mystery series, but the author's style is really awkward with stilted phrasing and descriptions.
Nice hardback I picked up at a library book sale for a song: illustrates basic supplies including needles, fabrics, and hoops, then basic stitches along with advice on how to do them best (it really doesn't get into a good definition of "couching," though), and finally ideas for projects. For fifty cents a treat!
After reading Essays of E.B. White and One Man's Meat, this is pretty much a disappointment because very few of White's complete essays are contained here. That is not to say there are not some longer pieces contained, including 1927's "Interview With a Sparrow" and an imagined dialog between White and his late dachshund Fred on the occasion of Laika's flight into space, and there are sweet tributes to both editor Harold Ross and White's fellow writer James Thurber, but most of the entries here are one or two paragraphs illustrating White's turn of phrase on everything from snow to writing to science and business and Christmas and academia. Not that these aren't grand turns of phrase, either; I found myself reading some of them aloud to my husband. It's just after getting full columns of White's lovely prose these one- and two-paragraph bits make you feel a little cheated. So I'm glad I picked it up at a book sale for the writing and the tribute, but it's not as good as the others.
In this sixth "Witch City mystery," Lee Barrett (neè Maralee Kowalski, journalism graduate, young widow of a race car driver, and now back living upstairs at the home of the librarian aunt Isobel [Ibby], who raised her) is meeting with future bride (and former student) Shannon Dumas and her fellow bridesmaids when she finds out Megan, a 105-year-old woman who is Salem's oldest practicing witch, has died. Megan's friends, including Lee's close friend River North, are devastated, and River lets slip to Lee that two other "closet" witches have died just recently, a crabby waitress named Gloria Tasker and a banker named Elliot Bagenstose. No sooner does Megan pass away than Salem is invaded by a huge "murder of crows," and someone takes a potshot at another practicing Salem witch, braggart shop owner Christopher Rich. Are these situations all connected?
Well, considering this is a "Witch City" mystery, of course they are! As Lee juggles this puzzle and also another esoteric task she and River believe they need to do, Lee is offered an intern job as investigative reporter for WICH-TV, which might lead to a permanent position. Throw her in that briar patch! And soon she's nosing about for clues in the deaths of the three witches, nudged on by her own talent for scrying obtuse clues in reflective objects and guided by her eerily prescient orange cat O'Ryan, and doing an in-depth report on the crows.
Another enjoyable outing in this series, including introducing a new cat into the mix.
This is technically a rerun, but since I haven't read it in at least fifty years it was practically brand new.
Bayou Suzette was the first of Lenski's regional stories; her next, Strawberry Girl, would win the Newbery Medal. Eighteen in all were written. From the 1940s to the 1960s, children without the internet would learn how their counterparts in various regions of the United States lived: kids who lived on farms in Iowa or the Dakotas, whose fathers were loggers or coal miners, children whose families were Amish or immigrants from "the old country," and more.
Suzette Durand is a 10-year-old Cajun girl who lives in the Louisiana bayou with her parents and siblings, probably early in the 20th century. Her father has not worked for almost two years after being accidentally shot by a neighbor who they have feuded with ever since. Suzette makes extra money for food and necessities by catching fish and selling them at the general store. On one trip she meets Marteel, an orphaned Native American girl who is being abused by her guardian, so Suzette takes her home. At first her parents don't want Marteel to stay; they are bigoted against her because she is a "thieving Indian" like her relations, until she saves Suzette from an alligator. Suzette comes to think of Marteel as her sister, but Marteel refuses to behave the way the family wants her to, continually running off to the woods. In the meantime there are adventures on the river, a confrontation due to the feud, and finally the threat of a flood ruining the Durands' way of life.
This a very vivid portrayal of pioneer Cajun life (I tap it as early 1900s because a character has a phonograph with a big speaker horn and those went out in the 1920s) as well as the bigotry extended to "Indians" in those days. Suzette (and later her mother) are the only ones who will speak up for Marteel, and the end of the story is very affecting. Not as good as some of her later books like Strawberry Girl and Judy's Journey, but great at capturing a vanished way of life.
Another great offering from Garfield, this about the history of maps. And you knew I had to have it, because I've been a map geek since childhood and used to invent my own islands just to make maps of them.
Garfield starts with the newest map, generated by Facebook of internet connections, a map where China hardly figures because of their restrictive internet policies, then takes us back in time, past even Ptolemy, to show us men scratching landmarks in the sand to show others where hunting grounds, water, and other necessities were. Eratosthenes was the first known man to make a map of "the world" (Europe, Africa [Libya back then], and Asia, all that was known by Europeans back then). Others, like Ptolemy's famous map, followed.
Along with the history of maps, we learn that one of the world's oldest maps was almost sold to finance the repair of a leaky roof, which countries excelled in mapmaking, the mystery of which Europeans were the first to know about the Americas, how this guy Vespucci got his name on two continents, when atlases came into being, the story of Britain's famous Ordnance Maps, all about literary maps (from Narnia to Treasure Island), the birth of travel guidebooks, the story of globes and GPS, and even about map thieves.
Sheer bliss if you are a map geek, and pretty interesting for everyone else.
This is #21 in this fun kids' series from the 1950s-1970s, in which the Hollister children (Pete, age 12; Pam, 10; Ricky, 7; and Holly, 6—there's also a younger sister, Sue, age 4) and their friends Donna, Dave, and Jeff, form a Detective Club, and they have a doozy of a first case: elderly Mrs. Neeley is looking for ghost hunters to rid her vintage home, tours of which form most of her income, of the spooks that seem to be haunting it. They also take a side case when Pete meets a young man named Kerry Flip, a circus acrobat who's looking for his real family in Shoreham with only the photo of his mother in an old doorway to help him.
This is a real Nancy Drew-like mystery that the kids get involved in, with a spooky old house, a string of jewelry robberies, a mysterious acrobat, and strange noises figuring in the plot. Of interest is the Hollisters' friendship with Charles Belden, a boy who is deaf, who teaches them sign language and helps them solve the mystery due to his ability to read lips. Of course Joey Brill, neighborhood bully, and his follower Will Wilson create additional mayhem, when Joey unwittingly—and that's a perfect word to use for Joey, because he's totally lacking in wits—helps the jewel thieves. Once again West (real name Andrew Swenson) counters 1950s sex stereotypes when Pam gets to accompany Pete on late-night "stakeouts" of the haunted house, and the girls are full-fledged members of the Detective Club, not reduced to baking cookies for the boys who are doing all the detecting.
There's also a very funny sequence where Holly offers to clean out the pantry so Pam can go detecting with the boys, and is helped by Donna and little Sue. We'll let you read to find out the repercussions on that one!
The seventh graphic novel in the Peter Grant series. As the story opens, Thomas Nightingale is on his way to a funeral of an old friend made during World War II. He advises Peter that this led to a very interesting case in the 1950s and directs him to a dossier in his records. As Peter reads, we go back in time to both eras to see how his mentor befriended Angus Strallen, how Strallen later joined British intelligence, and then sought Nightingale's help on the case of a serial killer with ties to both the war and to a new nuclear energy project.
Not only do we see more of Nightingale's past, but we learn of Toby's predecessor in the household, and also a secret fancy of Molly's, along with a detective story having to do with both industrial sabotage and murder, which ties into a real-life nuclear accident that happened in Great Britain.
You do not really miss anything in the Peter Grant narrative by not buying the graphic novels, but each one adds more texture and depth to the characters, so if you have an aversion to "comics," you still might want to give these a try. Molly reveals hidden depths in this issue, and we also find out more about Nightingale's attachment to Toby.
The informative text at the rear adds a historical verisimilitude to the story with the tale of the real nuclear accident and also a fascinating article about Jasper Maskeline's role in hoodwinking the Nazis by using magic as a basis for misdirection.
I have been reading the Kate Shackleton mysteries from the first book of the series, and I have to say, this is either the best one I've ever read or at at least in the top three. Kate is contacted by Scotland Yard to discreetly investigate an unidentified man who was found murdered, clad only in his underwear and stuffed into potato sacks, on a shipment of rhubarb sent down from the area is around Thorpefield, a small village near where Kate grew up. She is told the man may have been a Russian fomenting union unrest in the local cloth mills. In order to conduct a discreet investigation, she arranges to stay at the home of her best friend from riding school, Gertrude Brockman, who is now married to a well-to-do mine owner and country squire, in the guise of writing and photographing a story about the area and its interests for a magazine. Before she leaves for Thorpefield, she notes that a sweet shop owner in the village was killed at the same time as the unidentified man, and that the shopkeeper's boarder was accused of the crime. Kate thinks it strange that two killings happened in the same tiny place and wonders why the second crime wasn't brought to her attention.
This is only the start of a fast-moving and complex mystery that will also involve Kate's investigative partner Jim Sikes, her landlady Mrs. Sugden, Kate's niece Harriet, and even their dog, and introduces a fascinating cast of characters, including Kate's old childhood companion "PH," Philip Goodchild (a young man who we might say today was autistic), the Brockmans and their enigmatic butler Raynor, and Milly the maid who is in love with the young man accused of murdering the sweet shop owner, the mystery involving a golfing tournament, a young mechanic with a familiar face, a razed orphanage, an allotment with a strangely-dressed scarecrow, a new coal-pit being dug, and missing children. Almost every other chapter contained a new twist, and, although I figured out whodunit about 3/4 of the way through, I still raced through the book to find out if the guilty would be punished and how.
These are consistently great mysteries, but this one has pretty much topped all the rest in interesting characters and situations.
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31 August 2019
Books Completed Since August 1
Much of this month is devoted to a perennial grade school favorite, Lois Lenski! Found a bunch of her books, including ones I had never read, on archive.org and Kindle Unlimited.
Journey Into Childhood, Lois Lenski
This is Lenski's autobiography (much of which she fictionalized in her first two books, Skipping Village and A Little Girl of Nineteen Hundred), which includes the backgrounds of how she wrote some of her books (the Davy books, for instance, were inspired by a small boy named Davy, and the Mr. Small books were written for her son). I wish she had talked about how she researched all of them. She did reveal that A'Going to the Westward was inspired by the true experiences of her German ancestors, and that there really was a little girl left behind like Betsy Bartlett!
The first part of the book is rather fun, where she talks about growing up in Ohio, her loving but stern minister father, and the rest of her family. She goes off to study art, and then suddenly she is marrying Arthur Covey, a fellow artist (a muralist) and a widower with two children. This portion of the text seems rather stilted and dry; she uses the old-fashioned reference of referring to her husband as "Mr.Covey" and while I can see that as an older woman not into "kiss and tell" she would not get deeply into her relationship with him, the descriptions of their relationship seems rather loveless. She seems much more taken with her stepchildren Margaret and Laird, and with their child together, Stephen.
The Outermost House, Henry Beston
This is a nature classic, published originally in 1928. Beston, the owner of a small cottage called the Foc'sle near Easton on Cape Cod, visits the cottage one August, and, instead of leaving after two weeks, he decides to stay the winter. Laying in supplies and wood, Beston settles in for a serene autumn, a wild winter, and the beauty of spring, observing the birds and animals of the shoreline, the fierce nor'easters, the spreading beauty of the night sky, the call of the gulls, the yearly migration of birds, the running of the alewife, the dying of the year and then the birth of the following one. Of wonderful interest is his chronicling of the courageous work of the coast guardsmen who patrolled the beach nightly, and went out to shipwrecks in roiling waves and blinding lightning to remove survivors from the ships.
Beston's beautiful prose is poetic and evocative, bringing to mind the crash of the surf, the mewling of the gulls, the endless swish of the grasses in the ocean breeze. You can smell the salt air and the fish, the tang of his wood fire, the scent of his coffee percolating on the stove. For anyone who wants to know what it's like to live in close harmony with the sea.
(Alas, the little "outermost house," which survived the frightening storms Beston described, the whirlwind that was the Hurricane of 1938 and many hurricanes thereafter, was felled by the deadly winds and tides of the Blizzard of 1978. It lives on in this book.)
Underland, Robert MacFarlane
"Underground." It's always been a mysterious word in the English language. Underground can mean a root cellar, but it also calls up visions of caves, of tunnels, of hasty escapes, of the unknown and of mystery.
MacFarlane investigates all these aspects of "underland," from Bronze Age graves in Somerset, England, to an observatory for Dark Matter deep underground (where particles from Dark Matter are best distinguishable) to funghi on the forest floor. He also visits the underground labyrinth of sewers and rooms below Paris, where explorers find new levels all the time and tours exist, the underground Timavo River, caves in Slovenia in which hundreds of victims of the Nazis were interred, a dangerous journey into Norwegian caves to see prehistoric cave paintings, another Norwegian sojourn visiting a traditional fisherman and his wife, a visit to a glacier and a dangerous moulin (a vertical shaft within a glacier) in Greenland, and finally a radioactive materials' burial site in Finland.
I love reading MacFarlane's books. His words in Underland fit the mood he is trying to create: dark, mysterious, primal, evocative of the mood that deep darkness engenders. He makes you chill in the narrow moulin, feel the squeeze of a particularly tight passage in a cave, gape with wonder in the rooms under Paris. I was so sorry when the book was finished.
The Happy Hollisters at Sea Gull Beach, Jerry West
The Hollister children's Uncle Russ begins their next adventure by writing to them from a place called Sea Gull Beach. He's there making sketches for his cartoon work, but lets the Hollisters know there will be a kite-flying contest there soon and tells them about a pirate ship, the Mystery, supposedly lost in the sands. Then a lighthouse lamp Uncle Russ sends them is accidentally broken, and an emerald falls out!
This is only the beginning of the Hollisters' adventures as the family travels to Sea Gull Beach, where they make a new friend in a girl named Rachel who happens to be the granddaughter of the woman who made the lighthouse. A troublesome boy, Homer, who's like the Hollisters' neighborhood bully Joey Brill, also causes excitement, and the family befriends an old beachcomber named Scowbanger, who's also looking for the Mystery.
As always, the kids go from one breathless adventure to another, finding and then losing clues, competing with Homer, and having enough adventures in one week to last all summer. These books are so much fun to read and the author, Andrew Swenson, a.k.a. Jerry West, kept the usual 1950s sexist boys and girls stuff to a minimum, so the books are still very readable today, although today's kids used to organized activities and helicopter parents may gape at the freedom the Hollister kids have. They may end up wishing they were back in the 1950s!
We Live in the North, Lois Lenski
Lenski was most known for her regional book series, but she also did a series for younger children, Roundabout America, most of which are comprised of three short stories with a common theme. This volume takes place in Michigan, the first tale about a family of Polish-Americans whose father works in an auto plant in Detroit, the second relates the tale of a widowed woman of Finnish extraction who tries to make extra money as a cherry picker in Traverse City, and the final story is about a Christmas tree farm in Muskegon Heights. Wondering what today's kids would make of the hobby of the kids in the Detroit story: they have founded an animal cemetery where they hold funerals for both wild animals and pets. A subplot concerns the kids' Uncle Eddie, who won't settle down to a job and who's considering changing his name to sound more American. The Johnson kids in the cherry story have various adventures as their mom and their aunt pick cherries that reminds one of Judy's Journey. The last tale is just a year in the life of a Christmas tree farm family, and one of the daughters saving up the money she earns to buy a horse. Cute for the younger kids, but lacks the meat of the regionals.
Corn-Farm Boy, Lois Lenski
Well, I always wanted to read these when I was at school, so I might as well now that they're online. This is the story of Dick Hoffman, who lives on an Iowa farm where his father grows corn and they raise some cattle but more hogs. Dick is good with animals and is always either raising a runt farm animal or nursing a wild one who is hurt, and he hates when neighbor boy Elmer kills for fun, but what he wants most is to drive the new tractor his Uncle (who is half-partners in the farm with his father) Henry has bought; however, he's still sickly due to a bout with rheumatic fever. The story follows the spring and summer activities of the family, including wearying-sounding chores like getting cockleburrs out of the cornfields and de-tasseling corn (which is what Dick's older sister does during the summer to earn money for clothes). It chronicles all the fun—raising animals, summer picnics, playing with friends—and the trials—a farm injury, Dick's health problems, a little sister lost while playing hide'n'seek—of living on a farm. Not Lenski's most interesting, but definitely all true teaching children what hard labor goes into raising their breakfast foods.
Coal Camp Girl, Lois Lenski
Of all the Lenski books I have read, this has come the closest to touching me personally.
Christina Wilson and her family live in West Virginia, where her father is a coal miner. The children manage to have fun despite the ugliness of their landscape: the hills of discarded slate everywhere, the dirty air (the kids have to pull Mom's laundry off the clothesline every time a train comes by), Dad coming home black with coal and having to take a bath before he can even eat dinner. Tina would just like to have one of the pit ponies as her own, but her brother constantly gets in trouble trying to sneak into abandoned mines with his friends. They quarrel with one contentious neighbor kid, but otherwise manage to have fun—at least when their daddy is working and they have enough food.
My mom would have been born in and lived her early years in a place like this, only in Ohio. When my maternal grandparents came over from Italy with their young son Tommaso, my grandfather found work as a coal miner, and my uncle Tommy worked in the mine once he was old enough. Mom talked about her father having to wash up in a shed before he could come in the house, since he didn't want to dirty the inside with coal dust. They would have burned coal in their stoves, used scrip at the company store, and mom and her older brothers would have gone barefoot in summer and had to wash their feet before coming inside. What would Mom's life had been like if Grandma had not come down with "coal dust lungs"? Would she have also grown up to marry a coal miner and had her heart in her throat every time the whistle from the mine blared in a long, steady wail, signifying trouble?
Needless to say, among the other troubles the Wilsons endure in the book, there is a mine cave in. I cried at the outcome, thinking of Mom and of Grandpa.
Flood Friday, Lois Lenski
I grew up on the stories of the granddaddy of all New England hurricanes, the one in 1938, and its destructive 1954 successor, Hurricane Carol, but I had never heard of the horrifying flooding that occurred in Connecticut in August 1955 after not one, but two hurricanes within a week, Connie and Diane, caused rivers to overflow. Sally Graham lives in Farmington, Connecticut, with her family, and when the ground becomes saturated, her neighborhood, then her home, begins to flood. Sally and her friends and neighbors head to a school which is on high ground, and for days they must camp out on the floor, eat communal meals, and hear terrifying stories of homes swept away. Eventually they grow restless and wonder if they'll ever make it back to their homes.
Lenski paints a very realistic view of a natural disaster from a child's point of view, from seeing your home engulfed by water to living for days at close quarters with hundreds of people to returning home to find it filthy with mud. This is an unusual Regional as it deals with an event rather than a way of life.
Mama Hattie's Girl, Lois Lenski
This is probably the rarest of Lenski's regionals and one I didn't know existed for many years. Lula Bell is an African-American girl living in the south with her mother Imogene, a talented seamstress, and her grandmother, known to everyone in the Hibiscus Street neighborhood as "Mama Hattie." Imogene is tired of living in a small town where everyone knows her business, and longs to be up north with her husband. She's also frustrated with her mother falling for every slick salesman who comes around and buying yet something else "on time," and not taking care of her health (she has high blood pressure and insists on eating fattening foods with lots of salt).
To everyone on Hibiscus Street, "up north" is a wonderful place where good jobs are to be had and people have lots of fine clothes and furniture. So when Imogene finally gets fed up after a neighbor poisons Mama Hattie's plum tree and the local grocer won't give them any more credit, Lula Bell is torn: she wants to go "up north" where living is golden, but is going to miss her grandmother. She soon finds out "up north" is no prize either: the city streets are crowded and full of garbage, the kids in her new neighborhood bully her, and the landlord won't let her family stay with her aunt and uncle.
Lenski states in her introduction that she researched this book among children in both Northern and Southern schools, so I am guessing that the portrait she paints of both African-American experiences are authentic. However, the main problem with this book is that Lula Bell isn't really all that likeable. She brags to her friends on Hibiscus Street about going north, but misses them when she actually goes there. Once she finally finds friends in New Jersey, she's happy—but then when she goes back to Mama Hattie's home for a visit she is critical of everything: her grandma taking in boarders to make ends meet, the shabby old house she grew up in, and even her friends whom she formerly loved, and she snubs a little girl named Myrtle, forgetting how badly she was treated up north. It takes a series of disasters to make her realize how she's been acting. Lenski's leading girl characters are usually strong and speak for themselves, especially the pugnacious Judy Drummond, sometimes to the point of being occasionally rude, but Lula Bell is continually grumpy when things don't go her way. Maybe she was so contentious in order to learn a lesson about getting along with others, or a point is being made that she's not being set a good example by her mother, but it certainly doesn't endear anyone to her.
Really, the hero of this book is Mama Hattie, despite her personal weaknesses (and Imogene's perceived weaknesses of her mother). She's doing her best to keep a household together and provide a loving upbringing for her granddaughter.
The Holyday Book, Francis X. Weiser
Having procured Weiser's other two holiday books about Christmas and Easter, I thought I might complete the trifecta. The Holyday Book covers all those Christian holidays not covered by the Advent, Christmas, and Epiphany season and by Lent and Eastertide: Sundays themselves, then the church calendar beginning at Pentecost. He also covers (though not a Christian holy day) Thanksgiving, and the holydays of Corpus Christi, Candlemas, All Saints and All Souls, the "Mary holidays" like the Annunciation and Assumption, and also various saints' days by season. Traditional customs all over the world are chronicled, including processions on certain saints' days, fasting, and feasting, and there are also profiles of saints such as St. John, St. Catherine, St. Andrew, etc. For anyone looking for Catholic celebrations and traditions.
Joy of Nature, Reader's Digest Books
This is a big oversized volume from Reader's Digest books about enjoying nature. There are a few pages about animals, but most of it involves the earth itself: its climates, land areas (woodlands, deserts, rain forests, etc.), plants, topography, weather. There are chapters about trees, plants, mountains, deserts, tundra, geology, climate change, volcanoes and earthquakes, clouds, bird watching, butterfly study, and more, with multiple colorful photographs, maps, charts, and tables illustrating anything you need to know about the natural world. Each chapter is only two facing pages (crammed with small print), so this is perfect as a coffee table or bathroom book.
Memory of Water, Brian Eastman/Rebecca Tope
This is the final novelization of one of the stories from Eastman's Rosemary and Thyme mystery television series starring Felicity Kendal and Pam Ferris. Rosemary Boxer and Laura Thyme have been hired to restore an Elizabethan garden at an old country estate. The estate belongs to the Frazer family, but, because of the family setup, while Martin Frazer and his family live there in relative wealth, Martin's estranged cousin Jim lives in a old cottage in a corner of the estate. Rosemary is overlooking the river one morning when, to her horror, she sees Jim Frazer commit suicide by drowning himself. The body is later found, Jim identified and buried—then Rosemary sees the man she thought was Jim in the next town! Is Jim dead or not? And who was the man she saw fall in the river? Does Jim's death have anything to do with one of the convicts who are providing labor to restore the garden?
A humorous subplot has Laura trying to save money by having them camp in a tent on the estate. Rosemary is horrified at first, but comes to like it, while Laura, who was so enthusiastic, begins to hate it.
Tope adds many little details to what we saw on television: Rosemary making an enemy of Martin's boss, a disdainful QC, more scenes with the Frazer sons Toby and Timmy, and more scenes with Martin and his ever-patient wife Suzanne. If you enjoyed the series, you'll probably enjoy the books based upon the episodes.
Little Sioux Girl, Lois Lenski
This is another entry in Lenski's Roundabout America series for younger readers. Instead of being divided into smaller short stories as in We Live in the North, the entire book is a year in the life of Eva White Bird, a Dakota Sioux girl living at the Standing Rock Reservation with her family. Eva's winter home is in the hills, but during the summer the whole family moves to a small house they own near the river with the rest of the tribe, where the families fish and enjoy the foods of the fields. Eva enjoys being in school during the winter, but looks forward to the summer when she can run wild after completing her chores. However, rising waters cause a flood in the area and the family barely gets out ahead of the water, with many of their possessions missing. Once Christmas rolls around, there are new surprises for Eva and her family.
Again, not as compelling as the regionals, but a good portrait of Native American life in the 1940s.
St. Nicholas, Scribners (January - December 1880 (September missing)
Alas, I didn't notice years ago when I bought this that September was missing. Good thing there is a scan of it somewhere on Google. Otherwise this collection of "St. Nicholas" marks the first appearance in print of Louisa May Alcott's Jack and Jill. The usual collection of fascinating articles about child-life in 19th century America, with projects for children (usually boys) that would take the breath away from adults today, involving knives, saws, etc. But children in those days were brought up to be self-reliant. The 19th century travel articles are the most fascinating, seeing cultures that are untouched by American merchandising (foreign businesspeople often in American or British dress, but the average Joe in that country still in traditional garb living in traditional homes, alas, with snobbish opinions attached). Humorous but a bit sad to see them still decrying children who are "overscheduled" back then, enticed by societal influences like "big city lights" and alcohol, wondrous to read about great tracts of wilderness unspoilt by civilization.
Boom Town Boy, Lois Lenski
This has to be the saddest Lenski book I ever read.
The Robinsons live in Oklahoma on a farm that was part of the original Cherokee Strip. Work on the farm is hard, and a drought isn't making it any easier. It's the early 1920s, and oil has been discovered near their property. Grandpa Robinson is sure there is oil on their land as well and options the land to an oil company. Meanwhile, people begin to move into the area to work on the nearby oil wells. A shanty town explodes overnight, then even a town.
The story is told from the point of view of 11-year-old "Orvie" (Orville), and through his eyes we see the placid family farm which his older brother really loves working on and the creek bed where Orvie and his little sister play, sometimes alone and sometimes with their Native American friends on the nearby Reservation. As the oil men and workers move in, the wells despoil the countryside and the peripatetic oil workers strew trash, steal, and bring alcohol into the formerly "dry" countryside, and Orvie even learns the meaning of murder. Around the Robinsons, some of their neighbors "strike it rich," and the new "boom town" of Whizzbang seem exciting to Orvie. But he has hard truths to learn, and so do the members of his family, as the oil boom continues.
The Robinsons live a hard life without electricity or indoor plumbing, but the whole oil boom coming to town is like a trainwreck. Well-meaning wildcatters ruin the peaceful countryside and turn previously happy neighbors into rivals. Thankfully there's a ray of hope at the end.
My Love Affair With England, Susan Allen Toth
This is the first of three books Toth wrote about traveling in England. She became an Anglophile at an early age, and has retained a love of the country that continues into the present, despite the protestations of her daughter, who doesn't understand what Mom sees in the country. (Of course, as you read, you'll discover Jenny had a very different first experience in England, living as a student with a very odd family.) This is not a tourguide or a biography, but just a series of essays by Toth talking about various memorable visits to "old Blighty," including her first trip in the 1970s with a post airline flight complete with a hot meal, daytripping with the old London A-Z guide, and going to the theatre; a trip where she visited supposedly haunted homes; showing her husband the English countryside she loved for the first time; attending a real sheepdog trial (not watching it on the telly); the story of how she took students to England one year, beset by one problem after the other; walking the myriad walking paths through the countryside, and more. It's her love letter to England, and I truly loved it myself.
Re-read: The Wind in the Willows, Kenneth Grahame
I went to put this Tasha-Tudor-illustrated hardback downstairs, and after reading the Toth book couldn't resist re-reading it first. Willows was another one of those children's classics that I never read as a child, since I preferred books about real animals (Call of the Wild, the Silver Chief books, Big Red and sequels, etc.) even if the animals talked among themselves as in Black Beauty and Beautiful Joe. Of course I'd seen Disney's Ichabod and Mr. Toad, but Toad always got on my nerves.
Well, Toad still gets on my nerves. I'm sure the naughty Toad is someone small children can identify with, but I find him very annoying, and think Rat, Mole, and Badger are very patient in trying to reform him. The only Toad adventure I find tolerable is the first one with the gypsy caravan (until Toad spoils it). My favorite chapters are about Rat and Mole's friendship and adventures, such as when the Water Rat follows the imprudent Mole into the Wild Wood, the lovely "Piper at the Gates of Dawn" story, the temptation of poor Rat by the seafaring rat (O I understand that call of travel!), and my favorite of all, "Dulce Domum," about Rat and Mole's Christmas. The little mouse carolers get me every time.
Best of all are Grahame's lovely descriptions of the countryside, and the darling little English cottage fixings in the animals' burrows. When I read these things I want to grab all my money and go find one, which is ridiculous because they're not owned by poor people anymore and I wouldn't have a tenth of the money I need. But they're sure pretty to read about, and Willows has lyrical, dreamy descriptions of animals, seasons, and nature that make you feel as if you are there.
Dead Blow, Lisa Preston
Second in the "horseshoer mystery" story series, featuring Rainy Dale, the daughter of a rancher and a narcissistic actress who has worked through personal problems to become a skilled farrier, and who now lives and works in Oregon, where she's engaged to chef and foodie Guy. In Dead Blow, Rainy is hoping to get a new account at the ranch of Donna Chevigny, who has just become a widow; her husband Cameron (who had a roving eye) died recently after his tractor tilted and then rolled over him, an event originally considered an accident. As she helps Donna get her horses shod, Rainy finds an odd aluminum shoe on the land where Cameron died, and then Donna's goofy dog turns up a riding glove with a human hand in it. Soon a police officer named Melinda Kellan is sniffing outside Rainy and Guy's door, wondering if Rainy was one of Cameron Chevigny's conquests, and if she had anything to do with Cam's death. And then there's the crazy bull, Dragoon, who's on rangeland bordering the ranch. If Cam's death wasn't an accident, how did someone get past the bull?
I still like Rainy and her unorthodox narration and ways, but I have to admit this was not as compelling as the first book, where her history is peeled back little by little to show you why she is as she is. So while I still enjoyed the mystery, there was a little less meat to the characterization. In fact, she seems to have become more "country" since the original book. The mystery is reasonably perplexing, and you get a lot of the feel for ranching people rather than the urban Oregon denizens you usually see in the media, and of course there's Rainy's wry, often amusing commentary, which is a big plus to the narrative.
About Time: The Unauthorized Guide to Doctor Who, 2008-2009, Series 4, the 2009 Specials, Tat Wood and Dorothy Ail
This covers the rest of David Tennant's tenure as Doctor #10 including the three "gap year" extended episodes, his appearance on the BBC "proms" concert, and even his guest appearance on The Sarah Jane Adventures, from "Partners in Crime" wherein the Doctor is reunited with runaway bride Donna Noble, to "The End of Time." As always, Wood and Ail supply a summary, a cast list and where you've seen the guest performers, the ratings, notes upon filming, and then long, long notes about episode events, inconsistencies, questions, etc. It's the most thorough dissection of Who ever, and each chapter also contains an essay about questions raised by the series and by individual episodes, like "What Constitutes a Fixed Point [in Time]?", "What Happened to UNIT?", "Why Can't Anyone Just Die?", "What Were the Strangest Online Theories?", and the question that's been on every classic Doctor Who fan's mind for years: "Where's Susan?"
For the devoted Doctor Who fan, perhaps not always, but you definitely have to be interested in the series and know its past and its stories to truly appreciate these books.
The Secret Life of Movies, Simon Brew
A chill-out summer-read of a book about Easter eggs and other trivia about movie scenes. Was the big shocker in the Star Wars franchise hiding in plain sight? Sure was. In The Winter Soldier, what events did Steve Rogers miss while he was out of circulation? Depends on what country you watched the film in. What films were pioneers in CGI? The results may surprise you. What's the clue to the theme of Inside Out? Watch the physical features of the emotional characters!
There are interesting (and sometimes not so interesting) tidbits like that for films that range from the silent era all the way to Bohemian Rhapsody. Along the way you'll discover the story of a piece of rare artwork that turned up as a set decoration in a family film, what films surreptitiously photographed at places they weren't supposed to, the rather extensive changes a Disney animated film incurred before release, how a popular crime film features a Christ figure, how a spectacular action shot in the early war film Hell's Angels was filmed, and more.
Most of the info is taken from websites, so if you're a movie geek and particularly read many sites that feature this type of info, you'll probably know all these. Otherwise, it's a relaxing way to kill an afternoon.
Note to the publisher: Enjoyed the colorful look of the pages! But the ones with black type on dark purple backgrounds? Uh...no.
One Giant Leap, Charles Fishman
I missed reading this one in July because James bought it and had to finish it first, so it was at the tail-end of my other reading and I wondered what it might have to say that the other seven nonfiction books about the space program that I read last month didn't.
Surprisingly, I didn't find it all that repetitive. One chapter, for instance, delves into the "fourth crew member" of the Apollo missions, the spacecraft computer. There was nothing like it at that time: other computers were no smaller than refrigerators and took punch cards to program them. The Apollo computer was a new small design about the size of a big suitcase, and it took commands through keys punched and buttons that told the computer whether the operation was a "noun" or a "verb." He devotes another chapter to Bill Tindall, the man who thought of everything that could go wrong and then challenged the software and hardware people to make certain the astronauts could recover from all of those errors, in big long memos known to NASA as "Tindallgrams." Yet another chapter addresses the long debate about how to get to the moon and the final decision to use lunar orbit rendezvous, and a fourth talks about the decision to put the American flag on the moon (an idea very contested back then). But most of all Fishman talks about the "cost" of the space program, and how, based on what was budgeted for other things, it really cost very little and brought some startling developments to technology that we still benefit from today. If you use a cell phone, get satellite television, use a personal computer, depend on GPS, and many other technologies, you are using devices that were born from all the research put in and the technology developed for the moon landing.
Very much worth reading "yet another moon book."
Where the Lost Dogs Go, Susannah Charleson
In Scent of the Missing, Charleson told us of working with search and rescue dogs, including the training of her own dog Puzzle, a Golden retriever, and in The Possibility Dogs, we learned about her mission to turn shelter rescues into therapy dogs for anxiety sufferers. In this newest book, urged on by her father, Charleson adopts a sick, bedraggled Maltese dog before he's euthanized, and in trying to find little Ace's original owner, she delves into the world of lost pets: how your totally predictable dog may become unpredictable once thrust into unfamiliar situations, strategies for finding lost dogs, and her own stories of searching for, and mostly finding, missing animals.
Along the way, Charleson also tells us the story of her childhood with two parents who were loving of her and raised her to respect and love animals and abused or lost children, but who were both emotionally unstable. They moved house often to get away from debts, her mother suffered from panic attacks, her father was chronically insecure. She parallels her stories of growing up with her search for Ace's past, for it is obvious after a week that he was once a well-loved pet, probably owned by an elderly person, and her present-day dealings with both her parents, now divorced but still fiercely devoted to the saving of stray animals.
There's a nice balance of animal stories, biography, and "how to" in this book that I really enjoyed. A few other reviews said they wished there had not been so much of her past personal stuff and more about lost animals, but I enjoyed understanding what gives Charleson her drive to find the missing, whether human or animal, and see the past events that brought her to her present. Warning: there are many times you will tear up during this book. Have tissues handy.
Off the Map: The Curious Histories of Place Names, Derek Nelson
I picked up this slim volume at the library book sale because I've always loved maps and dreamed about being a cartographer (among other things) when I was a kid. Place names are fascinating. Some are just plain: Johnstown or Johnston, of course, was founded by someone named John; some are named by where they are (Avonlea = a "lea" is a meadown, so Avonlea is the meadow by the river Avon), and some get very descriptive. Take Dublin, Ireland: its full name is Baile Atha Cliath Dubh Lind or "town on the ford of hurdles on the black water"—the hurdles were wooden boards put in the river to help cattle cross. Some names are even insults! Inuits prefer being called that instead of "Eskimos" because the latter is an Algonquin pejorative for the tribe. The Sioux tribe prefers their own name, "Dakotah," because rival tribes called them "Nadowessioux": "little snakes"! The Mohawks called the Adirondak tribes "Hatirontaks," or "they eat trees," an insult that meant they were terrible hunters.
Nelson relays these facts and more, about explorers giving one place a name which already has another name (or places like the Falkland Islands, which is known as that by the British, but another by the Spanish) and the naming of places yet to be explored. An interesting little volume if you have a hankering for geography or names.
Saving Jemima: Life and Love with a Hard-Luck Jay, Julie Zickefoose
This book made me cry.
Zickefoose, a licensed bird rehabilitator and artist, had always wanted to raise a baby blue jay. When one was found, dehydrated and near death, under a tree, Zickefoose and her family (husband Bill, daughter Phoebe, and son Liam) pitch in to save the little mite, who has an infection contracted in the egg. Once little Jemima begins getting well, she becomes a part of the family. The Zickefooses allows Jemima to see birds like herself every day, but pretty much raise her like a tame bird rather than trying to deliberately avoid having her tainted by human contact: she interacts with the kids, teases the family dog, flies around rooms and perches on furniture. In return the family learns how really intelligent a blue jay is. But they always raise her with the intention of freeing her to the wild once she learns how to survive outside.
Life isn't always kind to Jemima: she contracts a second illness about the time she's being prepped for going into the wild, and Zickefoose must figure out how to medicate her without throwing off her timeline. One day she turns up bald! But the days are coming closer when Jemima must migrate or prepare to endure a long Ohio winter.
This is a book filled with love without being sloppily sentimental. The Zickefooses obviously adore Jemima, but want her to live a wild life. They all endure trials before their avian charge is free, including the breaking up of Julie and Bill's marriage. On their journey you will learn much about blue jays (and other birds) and their habits, and how one rehabilitates a wild creature. The book is liberally illustrated with photographs as well as Julie's lovely pieces of artwork that begin each chapter. Recommended for any animal lover, but warning that there are bird deaths/having to put sick birds down in the volume.
To Be a Logger, Lois Lenski
As the book opens, Little Joe wants, as he always had, "calk boots" like his logger dad; as he grows to be twelve and called "Joel," he still wants to be a logger more than anything. His dad begins taking him on the job in the forests of Oregon, where he and his companions work in a National Forest, but are often at odds with the forest rangers—the loggers think they know the forests better than the college-educated men running the tree harvests. The book chronicles Joel's (and his little sister Jinx's) adventures in the Oregon woods, where various experiences make Joel question his plans for the future. And then a disaster happens to his family.
Lenski has always done her best to describe in her books the occupations of the parents of the children who are her protagonists, but I find she almost does too much description in this, the next-to-last of her regional volumes. Some pages are nothing but chronicling how "Big Joe" Bartlett and his fellow workers operate construction equipment. It gets a bit tiresome. Better are the passages where Joel wrestles with his love of nature vs. his love of machinery, and his reaction when a fearsome thing happens to him. Jinx, his mischievous sister, also adds some levity to the story: she runs away from a chore, and does other funny things that liven up the text. The next-to-last chapter is a big commercial for the Forest Service, just like a mid-1960s Lassie episode.
This is Lenski's autobiography (much of which she fictionalized in her first two books, Skipping Village and A Little Girl of Nineteen Hundred), which includes the backgrounds of how she wrote some of her books (the Davy books, for instance, were inspired by a small boy named Davy, and the Mr. Small books were written for her son). I wish she had talked about how she researched all of them. She did reveal that A'Going to the Westward was inspired by the true experiences of her German ancestors, and that there really was a little girl left behind like Betsy Bartlett!
The first part of the book is rather fun, where she talks about growing up in Ohio, her loving but stern minister father, and the rest of her family. She goes off to study art, and then suddenly she is marrying Arthur Covey, a fellow artist (a muralist) and a widower with two children. This portion of the text seems rather stilted and dry; she uses the old-fashioned reference of referring to her husband as "Mr.Covey" and while I can see that as an older woman not into "kiss and tell" she would not get deeply into her relationship with him, the descriptions of their relationship seems rather loveless. She seems much more taken with her stepchildren Margaret and Laird, and with their child together, Stephen.
This is a nature classic, published originally in 1928. Beston, the owner of a small cottage called the Foc'sle near Easton on Cape Cod, visits the cottage one August, and, instead of leaving after two weeks, he decides to stay the winter. Laying in supplies and wood, Beston settles in for a serene autumn, a wild winter, and the beauty of spring, observing the birds and animals of the shoreline, the fierce nor'easters, the spreading beauty of the night sky, the call of the gulls, the yearly migration of birds, the running of the alewife, the dying of the year and then the birth of the following one. Of wonderful interest is his chronicling of the courageous work of the coast guardsmen who patrolled the beach nightly, and went out to shipwrecks in roiling waves and blinding lightning to remove survivors from the ships.
Beston's beautiful prose is poetic and evocative, bringing to mind the crash of the surf, the mewling of the gulls, the endless swish of the grasses in the ocean breeze. You can smell the salt air and the fish, the tang of his wood fire, the scent of his coffee percolating on the stove. For anyone who wants to know what it's like to live in close harmony with the sea.
(Alas, the little "outermost house," which survived the frightening storms Beston described, the whirlwind that was the Hurricane of 1938 and many hurricanes thereafter, was felled by the deadly winds and tides of the Blizzard of 1978. It lives on in this book.)
"Underground." It's always been a mysterious word in the English language. Underground can mean a root cellar, but it also calls up visions of caves, of tunnels, of hasty escapes, of the unknown and of mystery.
MacFarlane investigates all these aspects of "underland," from Bronze Age graves in Somerset, England, to an observatory for Dark Matter deep underground (where particles from Dark Matter are best distinguishable) to funghi on the forest floor. He also visits the underground labyrinth of sewers and rooms below Paris, where explorers find new levels all the time and tours exist, the underground Timavo River, caves in Slovenia in which hundreds of victims of the Nazis were interred, a dangerous journey into Norwegian caves to see prehistoric cave paintings, another Norwegian sojourn visiting a traditional fisherman and his wife, a visit to a glacier and a dangerous moulin (a vertical shaft within a glacier) in Greenland, and finally a radioactive materials' burial site in Finland.
I love reading MacFarlane's books. His words in Underland fit the mood he is trying to create: dark, mysterious, primal, evocative of the mood that deep darkness engenders. He makes you chill in the narrow moulin, feel the squeeze of a particularly tight passage in a cave, gape with wonder in the rooms under Paris. I was so sorry when the book was finished.
The Hollister children's Uncle Russ begins their next adventure by writing to them from a place called Sea Gull Beach. He's there making sketches for his cartoon work, but lets the Hollisters know there will be a kite-flying contest there soon and tells them about a pirate ship, the Mystery, supposedly lost in the sands. Then a lighthouse lamp Uncle Russ sends them is accidentally broken, and an emerald falls out!
This is only the beginning of the Hollisters' adventures as the family travels to Sea Gull Beach, where they make a new friend in a girl named Rachel who happens to be the granddaughter of the woman who made the lighthouse. A troublesome boy, Homer, who's like the Hollisters' neighborhood bully Joey Brill, also causes excitement, and the family befriends an old beachcomber named Scowbanger, who's also looking for the Mystery.
As always, the kids go from one breathless adventure to another, finding and then losing clues, competing with Homer, and having enough adventures in one week to last all summer. These books are so much fun to read and the author, Andrew Swenson, a.k.a. Jerry West, kept the usual 1950s sexist boys and girls stuff to a minimum, so the books are still very readable today, although today's kids used to organized activities and helicopter parents may gape at the freedom the Hollister kids have. They may end up wishing they were back in the 1950s!
Lenski was most known for her regional book series, but she also did a series for younger children, Roundabout America, most of which are comprised of three short stories with a common theme. This volume takes place in Michigan, the first tale about a family of Polish-Americans whose father works in an auto plant in Detroit, the second relates the tale of a widowed woman of Finnish extraction who tries to make extra money as a cherry picker in Traverse City, and the final story is about a Christmas tree farm in Muskegon Heights. Wondering what today's kids would make of the hobby of the kids in the Detroit story: they have founded an animal cemetery where they hold funerals for both wild animals and pets. A subplot concerns the kids' Uncle Eddie, who won't settle down to a job and who's considering changing his name to sound more American. The Johnson kids in the cherry story have various adventures as their mom and their aunt pick cherries that reminds one of Judy's Journey. The last tale is just a year in the life of a Christmas tree farm family, and one of the daughters saving up the money she earns to buy a horse. Cute for the younger kids, but lacks the meat of the regionals.
Well, I always wanted to read these when I was at school, so I might as well now that they're online. This is the story of Dick Hoffman, who lives on an Iowa farm where his father grows corn and they raise some cattle but more hogs. Dick is good with animals and is always either raising a runt farm animal or nursing a wild one who is hurt, and he hates when neighbor boy Elmer kills for fun, but what he wants most is to drive the new tractor his Uncle (who is half-partners in the farm with his father) Henry has bought; however, he's still sickly due to a bout with rheumatic fever. The story follows the spring and summer activities of the family, including wearying-sounding chores like getting cockleburrs out of the cornfields and de-tasseling corn (which is what Dick's older sister does during the summer to earn money for clothes). It chronicles all the fun—raising animals, summer picnics, playing with friends—and the trials—a farm injury, Dick's health problems, a little sister lost while playing hide'n'seek—of living on a farm. Not Lenski's most interesting, but definitely all true teaching children what hard labor goes into raising their breakfast foods.
Of all the Lenski books I have read, this has come the closest to touching me personally.
Christina Wilson and her family live in West Virginia, where her father is a coal miner. The children manage to have fun despite the ugliness of their landscape: the hills of discarded slate everywhere, the dirty air (the kids have to pull Mom's laundry off the clothesline every time a train comes by), Dad coming home black with coal and having to take a bath before he can even eat dinner. Tina would just like to have one of the pit ponies as her own, but her brother constantly gets in trouble trying to sneak into abandoned mines with his friends. They quarrel with one contentious neighbor kid, but otherwise manage to have fun—at least when their daddy is working and they have enough food.
My mom would have been born in and lived her early years in a place like this, only in Ohio. When my maternal grandparents came over from Italy with their young son Tommaso, my grandfather found work as a coal miner, and my uncle Tommy worked in the mine once he was old enough. Mom talked about her father having to wash up in a shed before he could come in the house, since he didn't want to dirty the inside with coal dust. They would have burned coal in their stoves, used scrip at the company store, and mom and her older brothers would have gone barefoot in summer and had to wash their feet before coming inside. What would Mom's life had been like if Grandma had not come down with "coal dust lungs"? Would she have also grown up to marry a coal miner and had her heart in her throat every time the whistle from the mine blared in a long, steady wail, signifying trouble?
Needless to say, among the other troubles the Wilsons endure in the book, there is a mine cave in. I cried at the outcome, thinking of Mom and of Grandpa.
I grew up on the stories of the granddaddy of all New England hurricanes, the one in 1938, and its destructive 1954 successor, Hurricane Carol, but I had never heard of the horrifying flooding that occurred in Connecticut in August 1955 after not one, but two hurricanes within a week, Connie and Diane, caused rivers to overflow. Sally Graham lives in Farmington, Connecticut, with her family, and when the ground becomes saturated, her neighborhood, then her home, begins to flood. Sally and her friends and neighbors head to a school which is on high ground, and for days they must camp out on the floor, eat communal meals, and hear terrifying stories of homes swept away. Eventually they grow restless and wonder if they'll ever make it back to their homes.
Lenski paints a very realistic view of a natural disaster from a child's point of view, from seeing your home engulfed by water to living for days at close quarters with hundreds of people to returning home to find it filthy with mud. This is an unusual Regional as it deals with an event rather than a way of life.
This is probably the rarest of Lenski's regionals and one I didn't know existed for many years. Lula Bell is an African-American girl living in the south with her mother Imogene, a talented seamstress, and her grandmother, known to everyone in the Hibiscus Street neighborhood as "Mama Hattie." Imogene is tired of living in a small town where everyone knows her business, and longs to be up north with her husband. She's also frustrated with her mother falling for every slick salesman who comes around and buying yet something else "on time," and not taking care of her health (she has high blood pressure and insists on eating fattening foods with lots of salt).
To everyone on Hibiscus Street, "up north" is a wonderful place where good jobs are to be had and people have lots of fine clothes and furniture. So when Imogene finally gets fed up after a neighbor poisons Mama Hattie's plum tree and the local grocer won't give them any more credit, Lula Bell is torn: she wants to go "up north" where living is golden, but is going to miss her grandmother. She soon finds out "up north" is no prize either: the city streets are crowded and full of garbage, the kids in her new neighborhood bully her, and the landlord won't let her family stay with her aunt and uncle.
Lenski states in her introduction that she researched this book among children in both Northern and Southern schools, so I am guessing that the portrait she paints of both African-American experiences are authentic. However, the main problem with this book is that Lula Bell isn't really all that likeable. She brags to her friends on Hibiscus Street about going north, but misses them when she actually goes there. Once she finally finds friends in New Jersey, she's happy—but then when she goes back to Mama Hattie's home for a visit she is critical of everything: her grandma taking in boarders to make ends meet, the shabby old house she grew up in, and even her friends whom she formerly loved, and she snubs a little girl named Myrtle, forgetting how badly she was treated up north. It takes a series of disasters to make her realize how she's been acting. Lenski's leading girl characters are usually strong and speak for themselves, especially the pugnacious Judy Drummond, sometimes to the point of being occasionally rude, but Lula Bell is continually grumpy when things don't go her way. Maybe she was so contentious in order to learn a lesson about getting along with others, or a point is being made that she's not being set a good example by her mother, but it certainly doesn't endear anyone to her.
Really, the hero of this book is Mama Hattie, despite her personal weaknesses (and Imogene's perceived weaknesses of her mother). She's doing her best to keep a household together and provide a loving upbringing for her granddaughter.
Having procured Weiser's other two holiday books about Christmas and Easter, I thought I might complete the trifecta. The Holyday Book covers all those Christian holidays not covered by the Advent, Christmas, and Epiphany season and by Lent and Eastertide: Sundays themselves, then the church calendar beginning at Pentecost. He also covers (though not a Christian holy day) Thanksgiving, and the holydays of Corpus Christi, Candlemas, All Saints and All Souls, the "Mary holidays" like the Annunciation and Assumption, and also various saints' days by season. Traditional customs all over the world are chronicled, including processions on certain saints' days, fasting, and feasting, and there are also profiles of saints such as St. John, St. Catherine, St. Andrew, etc. For anyone looking for Catholic celebrations and traditions.
This is a big oversized volume from Reader's Digest books about enjoying nature. There are a few pages about animals, but most of it involves the earth itself: its climates, land areas (woodlands, deserts, rain forests, etc.), plants, topography, weather. There are chapters about trees, plants, mountains, deserts, tundra, geology, climate change, volcanoes and earthquakes, clouds, bird watching, butterfly study, and more, with multiple colorful photographs, maps, charts, and tables illustrating anything you need to know about the natural world. Each chapter is only two facing pages (crammed with small print), so this is perfect as a coffee table or bathroom book.
This is the final novelization of one of the stories from Eastman's Rosemary and Thyme mystery television series starring Felicity Kendal and Pam Ferris. Rosemary Boxer and Laura Thyme have been hired to restore an Elizabethan garden at an old country estate. The estate belongs to the Frazer family, but, because of the family setup, while Martin Frazer and his family live there in relative wealth, Martin's estranged cousin Jim lives in a old cottage in a corner of the estate. Rosemary is overlooking the river one morning when, to her horror, she sees Jim Frazer commit suicide by drowning himself. The body is later found, Jim identified and buried—then Rosemary sees the man she thought was Jim in the next town! Is Jim dead or not? And who was the man she saw fall in the river? Does Jim's death have anything to do with one of the convicts who are providing labor to restore the garden?
A humorous subplot has Laura trying to save money by having them camp in a tent on the estate. Rosemary is horrified at first, but comes to like it, while Laura, who was so enthusiastic, begins to hate it.
Tope adds many little details to what we saw on television: Rosemary making an enemy of Martin's boss, a disdainful QC, more scenes with the Frazer sons Toby and Timmy, and more scenes with Martin and his ever-patient wife Suzanne. If you enjoyed the series, you'll probably enjoy the books based upon the episodes.
This is another entry in Lenski's Roundabout America series for younger readers. Instead of being divided into smaller short stories as in We Live in the North, the entire book is a year in the life of Eva White Bird, a Dakota Sioux girl living at the Standing Rock Reservation with her family. Eva's winter home is in the hills, but during the summer the whole family moves to a small house they own near the river with the rest of the tribe, where the families fish and enjoy the foods of the fields. Eva enjoys being in school during the winter, but looks forward to the summer when she can run wild after completing her chores. However, rising waters cause a flood in the area and the family barely gets out ahead of the water, with many of their possessions missing. Once Christmas rolls around, there are new surprises for Eva and her family.
Again, not as compelling as the regionals, but a good portrait of Native American life in the 1940s.
Alas, I didn't notice years ago when I bought this that September was missing. Good thing there is a scan of it somewhere on Google. Otherwise this collection of "St. Nicholas" marks the first appearance in print of Louisa May Alcott's Jack and Jill. The usual collection of fascinating articles about child-life in 19th century America, with projects for children (usually boys) that would take the breath away from adults today, involving knives, saws, etc. But children in those days were brought up to be self-reliant. The 19th century travel articles are the most fascinating, seeing cultures that are untouched by American merchandising (foreign businesspeople often in American or British dress, but the average Joe in that country still in traditional garb living in traditional homes, alas, with snobbish opinions attached). Humorous but a bit sad to see them still decrying children who are "overscheduled" back then, enticed by societal influences like "big city lights" and alcohol, wondrous to read about great tracts of wilderness unspoilt by civilization.
This has to be the saddest Lenski book I ever read.
The Robinsons live in Oklahoma on a farm that was part of the original Cherokee Strip. Work on the farm is hard, and a drought isn't making it any easier. It's the early 1920s, and oil has been discovered near their property. Grandpa Robinson is sure there is oil on their land as well and options the land to an oil company. Meanwhile, people begin to move into the area to work on the nearby oil wells. A shanty town explodes overnight, then even a town.
The story is told from the point of view of 11-year-old "Orvie" (Orville), and through his eyes we see the placid family farm which his older brother really loves working on and the creek bed where Orvie and his little sister play, sometimes alone and sometimes with their Native American friends on the nearby Reservation. As the oil men and workers move in, the wells despoil the countryside and the peripatetic oil workers strew trash, steal, and bring alcohol into the formerly "dry" countryside, and Orvie even learns the meaning of murder. Around the Robinsons, some of their neighbors "strike it rich," and the new "boom town" of Whizzbang seem exciting to Orvie. But he has hard truths to learn, and so do the members of his family, as the oil boom continues.
The Robinsons live a hard life without electricity or indoor plumbing, but the whole oil boom coming to town is like a trainwreck. Well-meaning wildcatters ruin the peaceful countryside and turn previously happy neighbors into rivals. Thankfully there's a ray of hope at the end.
This is the first of three books Toth wrote about traveling in England. She became an Anglophile at an early age, and has retained a love of the country that continues into the present, despite the protestations of her daughter, who doesn't understand what Mom sees in the country. (Of course, as you read, you'll discover Jenny had a very different first experience in England, living as a student with a very odd family.) This is not a tourguide or a biography, but just a series of essays by Toth talking about various memorable visits to "old Blighty," including her first trip in the 1970s with a post airline flight complete with a hot meal, daytripping with the old London A-Z guide, and going to the theatre; a trip where she visited supposedly haunted homes; showing her husband the English countryside she loved for the first time; attending a real sheepdog trial (not watching it on the telly); the story of how she took students to England one year, beset by one problem after the other; walking the myriad walking paths through the countryside, and more. It's her love letter to England, and I truly loved it myself.
I went to put this Tasha-Tudor-illustrated hardback downstairs, and after reading the Toth book couldn't resist re-reading it first. Willows was another one of those children's classics that I never read as a child, since I preferred books about real animals (Call of the Wild, the Silver Chief books, Big Red and sequels, etc.) even if the animals talked among themselves as in Black Beauty and Beautiful Joe. Of course I'd seen Disney's Ichabod and Mr. Toad, but Toad always got on my nerves.
Well, Toad still gets on my nerves. I'm sure the naughty Toad is someone small children can identify with, but I find him very annoying, and think Rat, Mole, and Badger are very patient in trying to reform him. The only Toad adventure I find tolerable is the first one with the gypsy caravan (until Toad spoils it). My favorite chapters are about Rat and Mole's friendship and adventures, such as when the Water Rat follows the imprudent Mole into the Wild Wood, the lovely "Piper at the Gates of Dawn" story, the temptation of poor Rat by the seafaring rat (O I understand that call of travel!), and my favorite of all, "Dulce Domum," about Rat and Mole's Christmas. The little mouse carolers get me every time.
Best of all are Grahame's lovely descriptions of the countryside, and the darling little English cottage fixings in the animals' burrows. When I read these things I want to grab all my money and go find one, which is ridiculous because they're not owned by poor people anymore and I wouldn't have a tenth of the money I need. But they're sure pretty to read about, and Willows has lyrical, dreamy descriptions of animals, seasons, and nature that make you feel as if you are there.
Second in the "horseshoer mystery" story series, featuring Rainy Dale, the daughter of a rancher and a narcissistic actress who has worked through personal problems to become a skilled farrier, and who now lives and works in Oregon, where she's engaged to chef and foodie Guy. In Dead Blow, Rainy is hoping to get a new account at the ranch of Donna Chevigny, who has just become a widow; her husband Cameron (who had a roving eye) died recently after his tractor tilted and then rolled over him, an event originally considered an accident. As she helps Donna get her horses shod, Rainy finds an odd aluminum shoe on the land where Cameron died, and then Donna's goofy dog turns up a riding glove with a human hand in it. Soon a police officer named Melinda Kellan is sniffing outside Rainy and Guy's door, wondering if Rainy was one of Cameron Chevigny's conquests, and if she had anything to do with Cam's death. And then there's the crazy bull, Dragoon, who's on rangeland bordering the ranch. If Cam's death wasn't an accident, how did someone get past the bull?
I still like Rainy and her unorthodox narration and ways, but I have to admit this was not as compelling as the first book, where her history is peeled back little by little to show you why she is as she is. So while I still enjoyed the mystery, there was a little less meat to the characterization. In fact, she seems to have become more "country" since the original book. The mystery is reasonably perplexing, and you get a lot of the feel for ranching people rather than the urban Oregon denizens you usually see in the media, and of course there's Rainy's wry, often amusing commentary, which is a big plus to the narrative.
This covers the rest of David Tennant's tenure as Doctor #10 including the three "gap year" extended episodes, his appearance on the BBC "proms" concert, and even his guest appearance on The Sarah Jane Adventures, from "Partners in Crime" wherein the Doctor is reunited with runaway bride Donna Noble, to "The End of Time." As always, Wood and Ail supply a summary, a cast list and where you've seen the guest performers, the ratings, notes upon filming, and then long, long notes about episode events, inconsistencies, questions, etc. It's the most thorough dissection of Who ever, and each chapter also contains an essay about questions raised by the series and by individual episodes, like "What Constitutes a Fixed Point [in Time]?", "What Happened to UNIT?", "Why Can't Anyone Just Die?", "What Were the Strangest Online Theories?", and the question that's been on every classic Doctor Who fan's mind for years: "Where's Susan?"
For the devoted Doctor Who fan, perhaps not always, but you definitely have to be interested in the series and know its past and its stories to truly appreciate these books.
A chill-out summer-read of a book about Easter eggs and other trivia about movie scenes. Was the big shocker in the Star Wars franchise hiding in plain sight? Sure was. In The Winter Soldier, what events did Steve Rogers miss while he was out of circulation? Depends on what country you watched the film in. What films were pioneers in CGI? The results may surprise you. What's the clue to the theme of Inside Out? Watch the physical features of the emotional characters!
There are interesting (and sometimes not so interesting) tidbits like that for films that range from the silent era all the way to Bohemian Rhapsody. Along the way you'll discover the story of a piece of rare artwork that turned up as a set decoration in a family film, what films surreptitiously photographed at places they weren't supposed to, the rather extensive changes a Disney animated film incurred before release, how a popular crime film features a Christ figure, how a spectacular action shot in the early war film Hell's Angels was filmed, and more.
Most of the info is taken from websites, so if you're a movie geek and particularly read many sites that feature this type of info, you'll probably know all these. Otherwise, it's a relaxing way to kill an afternoon.
Note to the publisher: Enjoyed the colorful look of the pages! But the ones with black type on dark purple backgrounds? Uh...no.
I missed reading this one in July because James bought it and had to finish it first, so it was at the tail-end of my other reading and I wondered what it might have to say that the other seven nonfiction books about the space program that I read last month didn't.
Surprisingly, I didn't find it all that repetitive. One chapter, for instance, delves into the "fourth crew member" of the Apollo missions, the spacecraft computer. There was nothing like it at that time: other computers were no smaller than refrigerators and took punch cards to program them. The Apollo computer was a new small design about the size of a big suitcase, and it took commands through keys punched and buttons that told the computer whether the operation was a "noun" or a "verb." He devotes another chapter to Bill Tindall, the man who thought of everything that could go wrong and then challenged the software and hardware people to make certain the astronauts could recover from all of those errors, in big long memos known to NASA as "Tindallgrams." Yet another chapter addresses the long debate about how to get to the moon and the final decision to use lunar orbit rendezvous, and a fourth talks about the decision to put the American flag on the moon (an idea very contested back then). But most of all Fishman talks about the "cost" of the space program, and how, based on what was budgeted for other things, it really cost very little and brought some startling developments to technology that we still benefit from today. If you use a cell phone, get satellite television, use a personal computer, depend on GPS, and many other technologies, you are using devices that were born from all the research put in and the technology developed for the moon landing.
Very much worth reading "yet another moon book."
In Scent of the Missing, Charleson told us of working with search and rescue dogs, including the training of her own dog Puzzle, a Golden retriever, and in The Possibility Dogs, we learned about her mission to turn shelter rescues into therapy dogs for anxiety sufferers. In this newest book, urged on by her father, Charleson adopts a sick, bedraggled Maltese dog before he's euthanized, and in trying to find little Ace's original owner, she delves into the world of lost pets: how your totally predictable dog may become unpredictable once thrust into unfamiliar situations, strategies for finding lost dogs, and her own stories of searching for, and mostly finding, missing animals.
Along the way, Charleson also tells us the story of her childhood with two parents who were loving of her and raised her to respect and love animals and abused or lost children, but who were both emotionally unstable. They moved house often to get away from debts, her mother suffered from panic attacks, her father was chronically insecure. She parallels her stories of growing up with her search for Ace's past, for it is obvious after a week that he was once a well-loved pet, probably owned by an elderly person, and her present-day dealings with both her parents, now divorced but still fiercely devoted to the saving of stray animals.
There's a nice balance of animal stories, biography, and "how to" in this book that I really enjoyed. A few other reviews said they wished there had not been so much of her past personal stuff and more about lost animals, but I enjoyed understanding what gives Charleson her drive to find the missing, whether human or animal, and see the past events that brought her to her present. Warning: there are many times you will tear up during this book. Have tissues handy.
I picked up this slim volume at the library book sale because I've always loved maps and dreamed about being a cartographer (among other things) when I was a kid. Place names are fascinating. Some are just plain: Johnstown or Johnston, of course, was founded by someone named John; some are named by where they are (Avonlea = a "lea" is a meadown, so Avonlea is the meadow by the river Avon), and some get very descriptive. Take Dublin, Ireland: its full name is Baile Atha Cliath Dubh Lind or "town on the ford of hurdles on the black water"—the hurdles were wooden boards put in the river to help cattle cross. Some names are even insults! Inuits prefer being called that instead of "Eskimos" because the latter is an Algonquin pejorative for the tribe. The Sioux tribe prefers their own name, "Dakotah," because rival tribes called them "Nadowessioux": "little snakes"! The Mohawks called the Adirondak tribes "Hatirontaks," or "they eat trees," an insult that meant they were terrible hunters.
Nelson relays these facts and more, about explorers giving one place a name which already has another name (or places like the Falkland Islands, which is known as that by the British, but another by the Spanish) and the naming of places yet to be explored. An interesting little volume if you have a hankering for geography or names.
This book made me cry.
Zickefoose, a licensed bird rehabilitator and artist, had always wanted to raise a baby blue jay. When one was found, dehydrated and near death, under a tree, Zickefoose and her family (husband Bill, daughter Phoebe, and son Liam) pitch in to save the little mite, who has an infection contracted in the egg. Once little Jemima begins getting well, she becomes a part of the family. The Zickefooses allows Jemima to see birds like herself every day, but pretty much raise her like a tame bird rather than trying to deliberately avoid having her tainted by human contact: she interacts with the kids, teases the family dog, flies around rooms and perches on furniture. In return the family learns how really intelligent a blue jay is. But they always raise her with the intention of freeing her to the wild once she learns how to survive outside.
Life isn't always kind to Jemima: she contracts a second illness about the time she's being prepped for going into the wild, and Zickefoose must figure out how to medicate her without throwing off her timeline. One day she turns up bald! But the days are coming closer when Jemima must migrate or prepare to endure a long Ohio winter.
This is a book filled with love without being sloppily sentimental. The Zickefooses obviously adore Jemima, but want her to live a wild life. They all endure trials before their avian charge is free, including the breaking up of Julie and Bill's marriage. On their journey you will learn much about blue jays (and other birds) and their habits, and how one rehabilitates a wild creature. The book is liberally illustrated with photographs as well as Julie's lovely pieces of artwork that begin each chapter. Recommended for any animal lover, but warning that there are bird deaths/having to put sick birds down in the volume.
As the book opens, Little Joe wants, as he always had, "calk boots" like his logger dad; as he grows to be twelve and called "Joel," he still wants to be a logger more than anything. His dad begins taking him on the job in the forests of Oregon, where he and his companions work in a National Forest, but are often at odds with the forest rangers—the loggers think they know the forests better than the college-educated men running the tree harvests. The book chronicles Joel's (and his little sister Jinx's) adventures in the Oregon woods, where various experiences make Joel question his plans for the future. And then a disaster happens to his family.
Lenski has always done her best to describe in her books the occupations of the parents of the children who are her protagonists, but I find she almost does too much description in this, the next-to-last of her regional volumes. Some pages are nothing but chronicling how "Big Joe" Bartlett and his fellow workers operate construction equipment. It gets a bit tiresome. Better are the passages where Joel wrestles with his love of nature vs. his love of machinery, and his reaction when a fearsome thing happens to him. Jinx, his mischievous sister, also adds some levity to the story: she runs away from a chore, and does other funny things that liven up the text. The next-to-last chapter is a big commercial for the Forest Service, just like a mid-1960s Lassie episode.
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