31 December 2023
Books Completed Since December 1
31 March 2023
Books Completed Since March 1
To Write Like a Woman: Essays in Feminism and Science Fiction, Joanna Russ
You cannot read books about Star Trek fanfiction without seeing Joanna Russ mentioned: she was a feminist and science-fiction writer who was also a member of the LGBTQIA community. She not only wrote essays about whether science fiction and fantasy are legitimate literature, but ones where feminism and misogyny are addressed. This is a collection of those essays. The few that justify SF&F as lit are interesting, but the meat of the book comes where she begins talking about feminist issues. One essay addresses "feminist" books written by men, in which the ruling class of women turn out to be just as corrupt as men, and end up being "tamed" by the healing power of male sex! Another points a finger at Harlan Ellison's "A Boy and His Dog," although she admits the movie is more at fault than the story.
My favorite essay in this book is her essay about the very popular "modern Gothic" novels of the 1970s. I remember these things all over the bookstores, with the pretty heroine always marrying some type of brooding male who was hiding some secret (shades of Mr. Rochester!). It's pointed and humorous at the same time.
The Belle of Belgrave Square, Mimi Matthews
Julia Wychwood is a heiress with a problem: her sickly parents expect her either to nurse them through their (usually psychosomatic) illnesses or make a good match. Julia, an introvert who prefers her books and horse riding to socializing, hates going to parties, and just wants to be left alone to read. But her parents believe reading novels is "inflaming" her and keep having the doctor bleed her, sometimes until she is totally debilitated.
The "notorious Captain Jasper Blunt," the harsh hero of Waterloo, is in search of a bride, or more appropriately, a bridal dowry that can replenish his Yorkshire estate and provide for his two bastard children. Why would Julia Wychwood not do as a bride? They both love books—in fact, the same author's books—and he agrees that he will let her live her own life (and rescue her from her parents) if she will take care of his children. But her parents have found a more appropriate—older, with better social connections—match for her and they will manipulate her as much as they can. In the meantime Julia and Jasper grow closer, but one of them is harboring a secret.
This is an enjoyable takeoff on Beauty and the Beast with two book lovers from different worlds, but who bond over their love of books. I kind of guessed the secret one of the protagonists was keeping about halfway through the book, but it didn't ruin my enjoyment of the story—except I wanted to beat the crap out of Julia's parents, who considered her some hired slavey, just given birth to provide them comfort.
Meg, Jo, Beth, Amy: The Story of Little Women and Why It Still Matters, Anne Boyd Rioux
This book illustrates my problems with e-books. I read this first as an e-book, and dismissed it. Then I picked it up as a remainder book, and enjoyed it a lot more. Rioux first talks about Alcott's history and the reason she wrote the book—her publisher requested "a book for girls." This perplexed Alcott, as she claimed she didn't "know any girls," except for her sisters, so she wrote her story around her family life—and her simple narrative became a hit.
Over the decades, Little Women has remained popular, although its audience has changed: boys, for instance, were also readers of the book in its early days; now it's considered "too girlie." Others believe that with today's mores Little Women, with its themes of traditional femininity, having nothing to say to modern girls, while Rioux refutes this, since both contemporary men and women need to learn lessons of controlling their temper, keeping house, etc. Media versions are also considered, and modern girls' stories as compared to Alcott's classic.
If you're an Alcott fan, and I am, this book will exactly suit.
Murder at Crossways, Alyssa Maxwell–
In this seventh book in Maxwell's Gilded Newport series, it's the summer of 1898, and Emma Cross, distant relative to the Vanderbilts (the poor side of the family) is working as acting editor-in-chief at her fiance's paper, the Newport Messenger. When she must fill in for the society editor at the wealthy Fishes' Harvest Festival, she, like the rest of the crowd, is awaiting the arrival of the guest of honor, Price Otto of Austria. But he never shows up, and then turns up in the garden, dead, his method of death very close to a man who was found on Bailey's Beach a few days earlier. When Emma investigates the beach death, she is stunned to discover the victim looks familiar—in fact, like her half-brother, but older. Could this be his father?
In the meantime, a series of mishaps at the Messenger convince Emma that someone is trying to sabotage the paper, or at least her editorship of it.
Mamie Fish, the eccentric—and she and her husband are based on the true-life Mamie and Stuyvesant Fish, who really were loving and eccentric as portrayed in the novel—owner of Crossways joins Emma as she investigates both crimes, and she's a definite plus in this story. Oh, and Emma finally has a new horse and poor Barney is finally retired.
Eleanor and Hick: The Love Affair That Shaped a First Lady, Susan Quinn
You can't read anything about Eleanor Roosevelt without a mention of Lorena Hickok, the brash woman journalist Eleanor met when her husband Franklin Delano Roosevelt was on his original presidential campaign trail. She and "Hick" became best friends—in fact, in reading their letters you might say they were more than just best friends.
Whether you believe or not that the two women also had a physical relationship or that they were platonic lovers, but lovers indeed, they did share intimacies over the course of their friendship that helped the First Lady break away from negative influences. Hick had her own bad habits: she was a chronic workaholic, smoked heavily, and didn't take care of her diabetes, and eventually her possessiveness—since Eleanor eventually had many friends, including those Hick was jealous of—strained their friendship to the breaking point. This is a vivid story of two women, one (Hick) who had to be strong after being thrown out of the house at age fourteen and the other (Eleanor) who was raised "with a silver spoon" that nevertheless came with a bleak childhood and an adult experience that included her husband cheating on her, having a child die, and having to nurse her husband through polio.
Very enjoyable especially if you are an Eleanor Roosevelt aficionado as I am.
Into the West, Mercedes Lackey
Kordas Valdemar and the people who have followed him to escape the cruelties and the smothering rule of the Empire now take steps to move beyond the lake they emerged from through a magical gate.
This is the next part of the "Founding of Valdemar" saga, and it was a good read, just not as compelling as the first book. A lot of the story is about Kordas' good faith efforts to be a just leader, and his learning to become a good leader as the Valdemarian expedition searches for a permanent place to live without displacing any of the people already there. The mage storms have left their mark, and they are attacked by deadly, unusual creatures who were melded together by weird magic, and come upon a sinister forest that projects malevolence.
While the statecraft bits can make the book drag a little, Delia, Kordas' sister-in-law, undergoes a transformation in this book, from little sister with a serious crush on Kordas to an explorer and much-needed member of the scouting team, her own person.
With a little help from the Hawkbrothers and the hertasi, Kordas and his people find a place to spend the winter. Could this be the place to settle?
Looking forward to the next volume! Have come to love Kordas and his people.
All That Remains, Sue Black
I bought this because in looking through it discovered Black, a forensic scientist, using her skills to identify dead bodies found at crime scenes. However, this is so much more: the author discusses death itself, the nature of our fears about death, and about working with corpses and how she is thankful for the people who donate their bodies to science so that she can learn about the human body from real remains rather than computer simulations, which she states are poor imitations of learning anatomy from bodies. She even tells a story about a elderly man who is preparing to donate his body to her institution who insists on coming into the anatomy laboratory and watching the students dissect a body so he will know everything that will happen to his corpse—definitely a braver person than I'll ever be.
I'm pretty squeamish about death (having been afraid of dying since I was quite young), but I found this fascinating reading, if even a little comforting, but I would definitely not read if things like this trigger you. There are some very explicit scenes of dissection and discussion of preserving bodies for dissection.
The Crocodile's Last Embrace, Suzanne Arruda
I hadn't read the rest of my Jade del Cameron books in ages. This one, number six, is an action-fan's dream. Jade's great love, the movie maker Sam Featherstone, has not yet returned from the United States, and the once fearless Jade had, in the interim, gone back to France and seen an eerie vision of her dead fiancé David Worthy, killed in the carnage of The Great War. Now back in Kenya, she is receiving notes from David and seeing visions of him. Her friends tell her she needs to relax and hope Sam will return soon; then Jade almost witnesses a car accident at a bridge in which a car was deliberately pushed off the side. This is only the beginning of a murder investigation and more—in which Jade begins to suspect her one true foe: David's evil mother Lilith.
This book gets off with a bang and never quite stops moving. I figured out part of what was causing Jade's distress almost immediately, but it didn't spoil the rising tension and the heart-stopping climax. I'm sorry there's only one of these unread left. Probably the best of the books since the first, Mark of the Lion.
For Her Own Good: Two Centuries of the Experts' Advice to Women, Barbara Ehrenreich and Deirdre English
I had to pick this up for Women's History month. In general I enjoyed it, although it was more scholarly than I expected. The basic premise is that although most society was patriarchal in the past, men had their roles and women had equally as important, but different, roles. However, with the coming of industrialization came masculinism, which infantilized women, drove away "wise women" and midwives who knew the workings of women's bodies, and turned them over to male doctors, who had all sorts of fantastically weird ideas, like that menstruation messed with a woman's sense of reason, that all women automatically wanted to be nurturing wives and mothers, and that women's brains were not fit for more complicated reasoning—studying things like medicine, physics, chemistry, etc. would make them "less womanly" and might even burn out a woman's brain! (And with that came the "rest cure" as Charlotte Perkins Gilman wrote about in "The Yellow Wallpaper," which would drive anyone stark raving mad.) Just the change in nurturing children between 1900 and 1960 (going from treating kids like miniature adults to considering children as small angels to keeping children to rigorous time schedules even as babies and then Dr. Spock says "For heaven's sake, cuddle and love them!") switched back and forth so quickly that you were liable to get whiplash.
Illuminating and infuriating, but be prepared for much quotation from medical texts.
01 January 2021
A Baker's Dozen of Favorite Books for 2020
Well, something had to be decent in 2020...
Always hard to whittle these books down to even thirteen. Must give honorable mention points to all three Longmire mystery books (Another Man's Moccasins, The Dark Horse, Kindness Goes Unpunished) I devoured this year, plus my first read ever of Robert Heinlein's Tunnel in the Sky, with its POC protagonist who has been whitewashed on book covers for years, and to Linda Newbury, who managed to give me a decent sequel to Peyton's Flambards books.
The Mutual Admiration Society, Mo Moulton (ARC, Dorothy Sayers and her friends at Oxford and beyond)
The Olive Farm, Carol Drinkwater (book sale find, actor Drinkwater's memoir of the crumbling farm she and her partner bought in France)
The Letters of Dorothy L. Sayers, 1937-1943, From Novelist to Playwright (Volume 2), edited by Barbara Reynolds (book sale find, self-explanatory)
The Moor, William Atkins (nonfiction look at the various moors of England; they're not all the same)
The Narnian, Alan Jacobs (book sale find, story of C.S. Lewis as told by his writings)
America's Women: 400 Years of Dolls, Drudges, Helpmates, and Heroines, Gail Collins (book sale find, overview of the women who did not make it into the history books)
The Splendid and the Vile, Erik Larson (his newest about the Churchills during World War II)
The Annotated Black Beauty, Anna Sewell, introductions/annotations by Ellen B. Wells and Anne Grimshaw (a book find from a friend thinning out her library, expands knowledge of the novel and the treatment of Victorian animals)
Bryant & May: The Lonely Hour, Christopher Fowler (newest in Fowler's series; two elderly detectives look for a motive in unconnected murders)
A Furious Sky, Eric Jay Dolin (ARC, history of hurricanes in the "new world")
Something Wonderful: Rodgers and Hammerstein's Broadway Revolution, Todd S. Purdum (the team that was ahead of its time even thought they're thought by some to be "treacly" today)
This Old Man, Roger Angell (book sale find, essays about life, sports, and everything in between by "New Yorker" editor and stepson of E.B. White)
Olive Bright, Pigeoneer, Stephanie Graves (ARC, wartime mystery along similar lines as Poppy Redfern and the Midnight Murders, but, IMHO, better)
30 September 2020
Books Completed Since September 1
Two plots are running here concurrently: the mystery of who might be sabotaging things at the brewery (a recent new beer was fouled with dirt and rubbish) and also a mystery surrounding one of the workers. It's possible they are both linked, but when two different murders happen, Kate and Sykes discover there are no simple answers in this one.
Brody addresses PTSD (Ruth's dad was not a brute before his war service) and spousal and child abuse against the colorful traditional goings-on in the Great Britain of that era of crowning a pretty young girl "queen" of a certain industry (cloth mills, railways, coal mines) to perk up tough times in industrial towns. Brody reverses the usual "the mysteries are connected" plot in this story, so there are several different endings to several different crimes, leading to several different cliffhangers, and once again Kate's niece Harriet and landlady Mrs. Sugden prove themselves equal to being part of the solution. The local characters (Ruth, George, Annie, Parnaby, Joe Finch, Miss Crawford, William and Eleanor Lofthouse, Miss Boland the music teacher) are all interesting characters in their own right, and several of them will have your sympathy before the story is concluded.
This Old Man, Roger Angell
All I knew before I read this book was that Roger Angell was E.B. White's stepson, the son of White's wife Katherine Angell and her first husband, and that he had worked at "The New Yorker," which kept his stepfather and writers like Dorothy Parker, James Thurber, Robert Benchley, and others in the public eye for years. He was, in fact, both a "New Yorker" writer and editor, and this book collects his most famous essay "This Old Man" along with several dozen other essays, profiles, verse, book reviews, and more from his career at the magazine.
I complained in a previous month that Our Boston had way too many sports references. Well, Angell was a sports fan, and I expect sports essays here, but yet in his case I never minded them. When he wrote about sports it was always interesting or compelling in some way, or portrayed a sports figure in a different manner in which I thought of them before. Some of the essays are funny, some brought a tear to the eye, but all of them are a delight to read. I found this for a $1.50 at the book sale, but it's well worth full price.
As I've said previously, I'm not fond of police procedurals, but I love the Longmire books, and especially love Johnson's supporting characters in each book; in this one it's the boy Benjamin and a wonderful horse who is introduced about halfway through the story. (Henry Standing Bear is understood. I love Henry with all my heart.) This one is a thrill-a-minute between the bully boy Cliff Cly that Walt meets in Absalom, a chase through the hills, and the real villain of the piece. The only mystery that remains is how Walt can get beaten up so many times and still manage to function!
Betsy and Billy, Carolyn Haywood
In a fit of nostalgia I picked this up at some sort of used bookstore on one of our New England vacations, as it was a discard from the Seekonk (MA) public library. Haywood, a prolific children's writer and illustrator who studied under Howard Pyle, had two different series, Betsy (begun 1939) and Eddie (begun 1947), as well as many stand-alone books. I believe by the 1970s the Eddie series was more well known, although the last Betsy book was published in the 1980s.
The Betsy series was one of those "slice of life" (middle class) kids books I ignored when I was of the age to read them, being more crazy about books with animal protagonists. It covers Betsy's second grade school year, with a Hallowe'en party at school, the birth of her little sister on Christmas day, making cookies for the second-grade class' mothers on Valentine's Day, having a Mother Goose exhibition on May Day, and a bazaar to earn money for playground equipment during the last week of school. There's also a couple of funny chapters revolving around Betsy's best friend Billy's dog Mopsie-Upsy Downsy and Betsy's own dog Thumpy. While there are no minority children pictured, the stories are very simply told with a "Mister Rogers" flavor: gentle lessons about accepting yourself as you are, doing your best, forgiving friends who hurt you. Haywood's numerous illustrations are simple and evocative, and several of them, like Betsy wearing leggings to visit Santa Claus, open a window to another era. (As well as one that would make parents gasp now: in the Valentine baking chapter, Billy gets to light the gas oven!)
Honestly, Katie John!, Mary Calhoun
This was the third in another series I missed as a kid, so I grabbed it up for a dollar to see what I'd missed. I know I have read the first book, when the Tucker family temporarily relocated to a riverfront home in Missouri to repair and then sell their great-aunt's four-floor house. Instead they decide to stay and run the big place as a boardinghouse. In the second book, apparently Katie John, an irrepressible 10-year-old, helps her parents run the boardinghouse, deals with going to a new school, and gets a beagle puppy she names Heavenly Spot.
In the third book, Katie John enters sixth grade and is immediately put off by the other girls in her class talking about boys. She is still as happy-go-lucky as ever, riding her bike, playing with Spot, and hunting geodes with a boy in her class, Edwin. But when the boys and girls both tease her at the annual fair, she declares she hates boys, hurting Edwin's feelings, but rallies the girls around her briefly. But the girls one by one drift back to their friendships with the boys, and Katie feels increasingly left out. One week she tries being madcap, another day she tries being a lady instructed via an 1896 etiquette book she found in her great-aunt's library, and finally she moves her bedroom to the very top of the house, all the time confused about who she is and what she "should" be.
Katie John's emotional experiences touched me closely. I remember that age, being scornful of the silly romance talk from the other girls. Having watched my mother and my aunts, I was convinced at that age, and throughout my teens that boys (and, later, men) were just simply too much work! And all they talked about were cars and sports! Boring. I felt the most badly because Katie's confusion over her own self nearly messed up her friendship with Edwin, which was a true partnership in exploring and discovery of the world around them rather than silly pre-sexual feelings. But in the end Katie gains some insight in the old house she and Edwin explored together, and they become friends again.
The second book is available to borrow on the Internet Archive, but I'll probably skip the last of the four, which has Katie John developing a crush on a boy in seventh grade after reading Wuthering Heights. Yawn.
The New Annotated Sherlock Holmes, Sir Arthur Conan Doyle, annotated by Leslie S. Klinger
I remember exactly where it used to be at the Akers Mill Borders Books: on top of the endcap of the mystery aisle, sitting there taunting me in its slipcovered glory. Klinger's annotated Sherlock Holmes, all fifty-six canon stories and the four novels, in three volumes, $120 for the set. Even with Borders' legendary 40 percent off coupons, it was just Too Much. And then in April 2008, A Miracle Occurred. Amazon was selling all their annotated books at eight dollars per volume. $120 worth of books for $24? Let me at it! (For the record, I also bought the annotated Secret Garden.)
St. Nicholas, Volume LIX, November 1931 through October 1932, St. Nicholas Publishing Company
Holy cow, this was the most difficult bound volume of "St. Nicholas" I've ever had to go through. If I thought the changes from The Century Company to Scholastic were bad (St. Nicholas, Volume LVII, May through October 1930, reviewed a few months back), the changes throughout this year were even worse: "The Watch Tower" disappears completely by May, replaced a few months earlier by "The St. Nicholas Handicrafters." The League is whittled down to four pages, and by the time October 1932 rolls around there are only fifty pages (half of it in teeny-tiny print) and eight stories/poems in each issue. Plus, oddly enough, suddenly in May half the ads in the issues are for New York hotels rather than for boys'/girls' schools, bicycles, utilities, toys, etc.
Not to mention "The Young Ravenals" is possibly the worst serial ever to grace the pages of the magazine (seriously, I thought that was "Driven Back to Eden" from the 1880s). Very strange story of a mother who must leave her family to teach in another city when her husband, a muralist, isn't paid due to the Depression. She leaves the family in the capable hands of their "colored" cook, Judy, who breaks her leg right after Mother leaves. So the four kids, from high schooler Randolph down to perpetually hungry eight-year-old Bobby, and artist dad try to cope with little success since apparently not one of them knows a thing about keeping house. The two sisters, one an aspiring concert pianist, have a problem with the same boy, who's a pilot, with a denouement that involves a laundry basket and a mud slide. Other serials are better, but just marginally: "The Return of the Ruby" is obnoxiously imperialist, "Tommy Dane on the Royal Road" chock full of violence, and the only hope comes from "The White Feather," the serial which is left hanging when the volume ends, which has a topping heroine named "Bobby" with a strong sense of justice.
31 July 2020
Books Completed Since July 1
I remember wanting to order this from the Doubleday Bargain Book Club as a teen, but my mom nixed it when she saw it was "an underground classic." Later I bought a paperback copy. It's the story of Valentine Michael Smith, a young human born on Mars and brought up from infancy by Martians. When he is returned to Earth by a later exploratory team, he must learn to be human...but his strange upbringing has left him with strange abilities and a unique outlook on life. But political machinations are going on behind the scenes, and a nurse who befriends "Michael" takes the bold step to bring him to the estate of an eccentric attorney/writer.
This book has been controversial from the start—the free love and communal living themes scandalized conservatives when it was published. More recently it's been scorned because all its female characters seem to love having sex and getting pregnant (alas, as Heinlein got older his fiction seemed to revolve around activities that he was probably no longer fit for). Many people hate Jubal Harshaw because he's an opinionated old coot spouting all of Heinlein's pet theories. (Me, that's why I like Jubal: as an introvert, I admire his opinionated outbursts, whether I agree with them or not, because I can't vocalize what I think.)
I read this early enough in my life that none of this really matters. These folks are like old friends. I roll my eyes now at the sex-and-pregnancy stuff, but you have to note one thing: none of the women in the story are at any time forced into these activities. They go into it because they want to, not because some man is bullying them into it. (And a few of them are physically capable of taking out any guy who does try to bully them.) In some cases, for good or for bad, it's women like Agnes Douglas who are the real power in the world. Mike views all the craziness of human life as a stranger to the human condition in which each of us grows up—the social, political, religious, societal, behavioral mores that we are taught from babyhood—and attempts to explain how strange all these mores appear when approached from a total alien viewpoint. The book is full of memorable characters, like the opinionated Jubal, the imperious Agnes Douglas who runs her household and her husband's career with equal shrewdness, Dr. Mahmoud reconciling his devout Muslim beliefs with new ideas, Mike himself, Patty Paiwanski the "tattooed lady" and snake lover, and even minor characters like Jubal's mechanic Duke, Captain Von Tromp and Dawn Ardent.
At times rambling—we have the uncut edition that was released several years back—and annoying, but sometimes cannily on the mark. YMMV.
This is the sixth and final book in Nixon's series taking place in Williamsburg during its heyday as colonial capitol of Virginia, centering on 11-year-old John, next to youngest child of Robert Carter Nicholas, member of the House of Burgesses, and opens with Governor Dunmore's capture of the store of gunpowder held in Williamsburg's Magazine. To Mr. Nicholas, this is just another in a long list of injustices toward the Virginia colony that he hopes can be resolved with debate and negotiation, but to 20-year-old George Nicholas, this is it. To him there is no expectation that Britain and the American colonies can find common ground. It is time to fight for freedom. John, who respects his father but hero-worships George, he can see that both men make valid points—but his brother's acts, to an 11-year-old, are more exciting, and soon he and his best friend Robert are attending militia drills.
One of the things I appreciate most is that Nixon doesn't try to make a 21st century "woke" boy out of John. When Governor Dunmore threatens to arm the slaves if the colonists don't behave properly, John is genuinely confused. The Nicholases treat their slaves humanely. His mother feeds, clothes, and nurses them. Why on earth would they take up arms and fight against their family? It's only after he hears the family slaves talking about taking up arms and after a few events convince him how important freedom is, that he understands that freedom isn't something just reserved for white people, that all deserve freedom.
The gem in this series of six books is still the volume about Caesar, the enslaved boy coping with both growing up and finding his place in a world where decisions have been taken away from him, but all the books are worth reading.
This is a compilation volume of essays written after the Boston Marathon bombing about what each author loves about his favorite city: essays by George Plimpton, Dennis Lehane, Susan Orlean, Pico Iyer, John Updike, and more. Some of the best essays are the ones that actually talk about the bombing, the shock and indignation, the people who raced toward the carnage rather than away to help the wounded. There are stories about Dorchester Avenue, about Cambridge, the Boston accent, Filene's Basement, a girl who appeared on the PBS series Zoom, Boston marriages, and more. My favorite essay was Scott Stossel's "Reading Around Boston," about the Boston bookstores I came to love in the 1980s and which are mostly gone now and which I ache for intensely.
I enjoyed most of the book, but there are too many essays about sports. There are so many wonderful historical places, great places to see like the Museum of Science and the Rose Kennedy Greenway or the aquarium or the museums, quirky television stations like WSBK, and all everyone talks about are the Red Sox (and the Bruins and the Patriots). I expected some mention of them, as you can't mention Boston without mentioning the Sox, but it seemed sports turned up in every other essay.
Every time I read a Peculiar Crimes Unit mystery, I wonder to myself how Fowler is possibly going to top the last one. And, just as always, I finished this newest volume thinking "Wow!" Especially at the end of the penultimate chapter.
Christmas celebrations have ended and once again the Peculiar Crimes Unit is called in when a man of Indian descent is found hanging upside down from a tree, surrounded by occult items. His time of death is estimated at 4 a.m. Senior detectives Bryant (the eccentric, outside-the-box theorist) and May (the erudite one) and their team are puzzling whether it's some sort of bizarre cult event (of course Arthur Bryant immediately contacts his friend Maggie, a practicing witch), bored punks, or more sinister forces when another 4 a.m. death occurs, a suicide this time—or was it? Unknown to them, a chubby young woman named Sparrow who was out watching bats with a conservation group has befriended the killer, and also knows both of the victims who died. In the meantime one of the PCU is not really who they seem, and John May has a secret which may endanger the group.
London folklore, Bryant's daffy investigative style, tensions simmering in the PCU, Sparrow's unwitting friendship, and the real story behind the crimes are deftly woven into another Fowler page-turner. I love these books. I can't wait for the next one to see how the resolution to aforementioned Chapter 49 comes out.
I am embarrassed that it took me so long to finish this book. I bought it ten years ago at Strawbery Banke, having fallen in love particularly with the little grocery "The Little Corner Store" which is 1940s themed and reminded me so much of the "spas" and superettes of my childhood. I remember wanting it so badly, but because of its size was afraid it was too expensive, until we went into the gift shop and I found out it was only $10. Then it got shuffled to the bottom of a to-be-read pile and passed over.
Basically it tells the story of World War II home-front life and food rationing as told through Bertha Abbott's Little Corner Store, which opened in 1919 and closed in 1950. There's a general article about the American home front: war bonds, food rationing, propaganda, and another on ration stamps, as well as follow-on articles that concentrate on New Hampshire's war effort and the history of small groceries.
The second half of the book chronicles the reconstruction of the war-era look of Bertha Abbott's corner store. Especially fascinating is how they reproduced the 1940s-era packaging by copying existing remaining boxes from the era and then printing new ones.
This is a novella in Berenson's Melanie Travis mystery series in which a murder comes too close to work: the accused is Harriet Bloom, the super-efficient secretary to the head of Howard Academy, where Melanie works as a special ed teacher. The police think she poisoned Ralph Pender, an elderly neighbor who has dementia, with one of her famous Hallowe'en treats, marshmallow puffs she typically gives away to the neighbors. The headmaster of Howard Academy knows Melanie has rooted out other criminals before; he's hoping she can discreetly suss out this one before the academy gets a bad rep. And Melanie truly believes Harriet could never poison anyone.
There's only one problem with this mystery that is set happily in October in New England, and all the sights and sounds and smells and excitement—autumn leaves, crisp air, Hallowe'en prep, luscious fall foods—that come at that time of the year. Melanie meets some new people, some unfriendly, most of them quirky and nice, she forms a stronger bond with Harriet than she has in years, there's nice bits about Kevin selecting a costume, Aunt Peg manages to not overrun the story for once...but once the actual murderer is introduced, you'll know the person immediately. Yes, you'll have to learn why the crime took place, but you won't need to guess who; trust your first instincts.
Still, I loved every bit of this for the reasons enumerated in the previous paragraph—and one more thing: the subplot involving Melanie and one of the young students at Howard Academy. In the end, that's the element that's the most magical about the whole story.
I have wanted this book for years after seeing a used copy for sale at the Cobb County main library, but I didn't have cash. At the book sale last fall I finally found a copy. And I guess I enjoyed it.
It's not just a book about travel to specific places, but about Crichton's travel through his life, starting at medical school, which he finished, but discovered he didn't like practicing medicine all that much. Back in medical school he had started writing paperback thrillers and he discovered he liked writing much more than being a doctor.
So over the years he had traveled many places—climbed Mount Kilimanjaro, visited New Guinea, Bangkok, Jamaica, gone swimming with sharks, encountered gorillas—and also investigated many things like psychics, meditation, spoon bending, auras, etc. with an open mind. Some of the travel chapters were quite creepy, like where he tried diving without tanks or went swimming close to sharks. The "woo-woo" chapters were fairly interesting; some of it he found good, some he still didn't believe in when he finished—his point was that he went into them with an open mind. Frankly, the chapter where he talked about having a conversation with a cactus still seemed a bit dumb. And the portion of the book where he talks about a friend taking him to a "child whorehouse" was revolting.
I kind of came out of this book not liking Crichton as much as I had before I started it, even though most of the chapters were interesting.
As a kid, I found maps endlessly fascinating. When I found out there was something called a "cartographer," it joined my "what I want to be when I grow up" list. I even created maps for the locations of the stories I wrote. So it was a cinch I would buy this book.
And I did like it, although it's not a light book and it took me several tries (and years) to get through. The twelve maps are not only ones I were familiar with—the one I understood was the oldest: Ptolemy's, Google Earth, and of course Mercator's map which makes Greenland look larger than continents—plus those I didn't know anything of, including the first map to mention "America," the Hereford "Mappamundi" (which is painted on leather), a French map which is the first drawn from land that was surveyed using modern methods, and more. Maps aren't a story of only drawings, but of societies and how they see the world: the earliest Christian maps had Jerusalem as their center. And of course "north" has always been "up" (which in modern times sorely tries the Australians). The Mercator story, for instance, involved the mapmaker's persecution because of his being a heretic (he was Protestant in a then aggressively Catholic society). And since everyone who loves maps knows the Mercator map so exaggerates the world, there's a chapter about finding the best possible way to portray a round earth on a flat surface.
Don't be misled by my inability to make it through this book for years. It really is absorbing if you are at all a "maphead."
When I bought this book I didn't even notice that the author was Ed McMahon, let alone the Ed McMahon. With Fisher, who also co-wrote McMahon's memoir, Johnny Carson's long-time announcer (and long-time spokesman for Budweiser) tells the rollicking story of early television, when an announcer had to be quick on his feet and with his mouth. McMahon started on local television in Philadelphia, then went on to New York, where he finally paired with a young host named Carson and the rest was history.
But this just isn't McMahon's story: he begins with the history of television broadcasting as well as some of the famous shows of the day: Today, Your Show of Shows, Toast of the Town, The Tonight Show (of course). He talks of live shows where things went badly and bloopers brought laughs to grim dramas; now-famous actors who cut their teeth on live television; classic scripted shows like Naked City, Amos'n'Andy, Space Patrol; television personalities such as Bob Keeshan, Dave Garroway, Dick Clark, Dennis James, Arlene Francis. And of course there's a sizeable chapter on "Mr. Television" himself, Milton Berle.
It's a fun romp, but McMahon and/or Fisher takes the Milton Berle gag wayyyyy too far. Once the Berle chapter is finished, they resort to a silly gag of "Milton" interrupting every subsequent chapter with a joke. Once or twice might have been cute. The Berle gag runs through half the book and becomes annoying as hell. If you can tolerate it, you'll enjoy the rest of the book.
People tend to think that Route 66 was the first transcontinental highway, but the Lincoln Highway, started in 1913 and ending in the mid-1920s, came before that highway where you could "get your kicks." "The Lincoln," later US30 and then superseded by Interstate 80, began at 46th Street in New York City and ended in San Francisco in Lincoln Park, following old trails like the Lancaster Turnpike in Pennsylvania, the Mormon Trail, the Sauk Trail, and the road to the Donner Pass, plus existing roads and new roads connecting cities. Increasing motor traffic in those days required paved roads, as the "gumbo mud" of the existing roads had been a thorn in the side of horse-drawn carriages for years.
This, the Centennial edition, is a definitive one. It maps how you can follow the original Lincoln and its later "generations" which followed more suitable routes, town by town and state by state from Atlantic to Pacific, and scattered through almost 300 pages of text are wonderful and evocative pieces of memorabilia from the teens to the 1950s: documents, letters, postcards, advertising, photos of tourist camps and motels, napkins, menus, brochures, maps, diaries, newspaper reproductions, essays, cartoons, road signs, monuments, mile markers...in short, anything and everything to capture the essence of the Lincoln Highway. After a while the road directions in the text may get a little tiresome, but every single illustration will bring a smile to anyone who loves history, especially early 20th century transportation and travel.
Oh, dear. Of all the Happy Hollisters books I have read so far, this one seems to have aged the worst. The action begins when little Sue reports that Joey Brill and his running buddy Will have stolen a totem pole from someone's yard. (Really, how do Joey and Will get away with the crap they pull? They remove something from a neighbor's property and no punishment is meted out? Their parents must know someone in the city government!) The five kids (12-year-old Pete; 10-year-old Pam; Ricky, age 7; Holly, age 6; and Sue, who's four) and their visiting cousins Teddy and Jean rescue the totem pole, which is a reproduction that an old Alaskan "sourdough" has made for one of their neighbors. The man tells them a story about a tribe of Alaska natives who lost an identical totem, which legend says holds a secret. Since Teddy and Jean's dad, a famous comic artist, has run out of ideas for his stories, the next thing both families know, they're headed for Alaska, where the Hollisters of course wish to search for the lost totem so they can return the treasure to the native tribe. In the process, they meet two Alaska native children who have had their boat stolen, so they can't enter a salmon derby. Of course the generous kids want to help them as well!
The story does well describing life in Alaska in the early 1960s, and the two Native children and their family are portrayed respectfully of their culture and their amusements. But by today's standards the treatment of the totem, which is a Native American cultural symbol, is not very respectful: the sourdough shouldn't be building one as a decoration for someone's home. It is at least treated as something special.
The troubling portion of this story is a chapter where the Hollisters visit a hospital. They have befriended a nurse who tells the kids most of her patients are Eskimo children. (We'll skip over the fact that most Americans don't realize that "Eskimo" may come from a pejorative term and you shouldn't use it.) The kids are wild to meet Eskimos and go to the hospital to meet the kids and have a good time playing with them, but some of the language make it sound like they are going to a zoo to meet some exotic animals. (No, the children are not compared to animals. But the language just isn't right, either.)
This is such a good-natured series and most of the Alaskan scenes are handled very well, but I would read the Eskimo chapters first and decide what you might want to say to a child about them.
Chuck Shaw operates a mixed practice, small and large animals, in rural New Hampshire with his partner Roger Osinchuk, who does a large part of the horse work. The practice has more work than two veterinarians can handle, so Chuck hired Erika Bruner, a newly qualified vet who wishes to work with cattle. Whynott's story follows the varied cases that happen in a rural animal practice, from palpating cows to see if they're ovulating to dog and cat injuries to the horse practice Roger loves.
Anyone looking for the poetry of James Herriot will be disappointed, however, this is an interesting look into what makes a modern rural veterinary practice tick. Chuck is largely overworked, but can't bear to let down any of his patients, and he would like to take more time off. Roger loves the horse work, and we follow his own personal odyssey with raising a beautiful stud horse named Shawne. Erika throws herself into dairy cow work with gusto, determined to become an expert in detecting pregnancies in cows. Yet she finds there's something missing.
Good reading if you are a fan of the veterinary shows on National Geographic Wild and want to see the ins and outs of the business. Rather troubling when you hear about people putting perfectly healthy animals to sleep for no reason. Liked that Chuck Shaw tried to find them homes so the practice didn't have to do that.
We lived very simply when I was a kid: one car, one television, one phone (fastened on the wall), one radio. We didn't take a real vacation (a.k.a. not going to a relative's house) until my mom went back to work. It wasn't of much consequence, except for me there were never enough books. They were a precious commodity with Dad's limited salary, so most of what I had was the cheap Whitman books that cost less than a dollar, some of them "authorized editions" of television shows, or classics like Beautiful Joe, a few girls' books like the Donna Parker series. Later I'd squirrel away my quarter allowance for three weeks to buy a new Get Smart paperback novel.
Mom finally joined the Doubleday Bargain Book Club, in part to get me some decent reference books. I still have my chunky Thorndike-Barnhart dictionary, the Roget's Thesaurus, my first atlas, all bought with the six-books-for-99-cents option you got for joining. Mom got a sewing book, too, and a calorie-counting book, and something else (I think it was religious). Then for a year we were required to buy a book a month, either the selected offering or an alternative. It's how I first read Leon Uris' QBVII, Gone With the Wind (which was intended for my mom, but which I read in four days), and got copies of six favorite animal novels, including Lassie Come-Home and Misty of Chincoteague.
The Crystal Cave was an odd choice. I'd never been much for lords-and-ladies "thees-and-thous" medieval films like Robin Hood and Camelot. I'd seen Disney's Sword in the Stone and didn't much care about it. But that was the most interesting choice that particular month, and I knew Mary Stewart from her novel The Moon-Spinners.
I fell into her Arthurian world and never came out, just as I knew this time around if I plucked the book off the shelf (I have the one-volume trilogy edition, not the individual books I got from Doubleday) I would have to read through all three books without stopping. I simply fell in love with her Merlin and his world, and since then even when I try other versions of literary Merlin (Barron's, Lawhead's) and video Merlin (I love Nicol Williamson, but the snake-loving weird Merlin of Excalibur was repulsive, and Sam Neill, who could have done a wonderful job with Stewart's Merlin, got instead stuck with a cross-eyed Helena Bonham Carter and a jokey Martin Short in a titular miniseries) they always fall short in some way.
It's hard to explain why I do love it so, because most critics of the books say that Merlin is commonplace, or there's not enough magic. Maybe that's why I do love it so much: it's not a fantasy, it's a historical narrative with a protagonist who just happens to have otherworldly powers. Most of what Merlin achieves is through his intelligence, his education, his quick thinking, his ability to negotiate, and sometimes just his talent for bluffing. He's a man who I wouldn't be awed in meeting, but is very down-to-earth. I also love the portrayals of the other characters in Merlin's orbit: his mother who has never betrayed his father's identity, his father himself, his uncle Uther who eventually becomes king, Uther's Queen Ygraine, the young Arthur and his best friend Bedwyr, and especially Merlin's servants, from Cerdic and Cadal to Ralf and Ulfin, and their relationships with each other. They all seem like real people to me. A plus in this re-reading, from a stay-at-home perspective, are Stewart's beautiful descriptions of a British countryside that was: the lush valleys, the harsh hills, the winter starkness, the spring beauty, and the ruins of old forts and shrines, and the description of fifth-century villages (some of them not always pretty), and how people at each level of society lived, from simple shepherds to innkeepers to blacksmiths all the way to the royal houses Merlin associates with. The final volume of the trilogy may refer to "last enchantment," but for me it's been one that never ends.
After two books based on her childhood experiences, Lenski wrote the first of her historical books in 1936. Phebe Fairchild, age 10, is sent to live with her family in the country when her father, a sea captain, takes her mother home to England for a visit and then goes on a voyage to the Mediterranean. Her grandmother, aunts, and cousins are all welcoming and nice, but they are also strictly religious; warned by her father, Phebe doesn't dare show them her frivolous Mother Goose book, nor the jewelry her mother entrusted her with.
Lenski basically wrote this story as a "slice of life" tale of, as she explains, "child life and country life in 1828 Connecticut," when the United States was on the cusp of becoming an industrial nation. Phebe is one of the witnesses to the expansion of canals to carry goods rather than "freighters" and machine-made goods instead of homespun. Phebe herself is a rather bland little girl, except for one incident of rampant disobedience with a visitor's clothing, so the main charms of this story are noting the upbringing of children in the early 19th century, the sheer hard work of country life, but also of the pleasures and the feasts, of typical plays and pranks of the era, the changes industrialization were already bringing and the resistance of elders to it, and of the unceasing labor of women. She also doesn't stress enough the importance of the Mother Goose book, which was the first published book for children in the US which was not intended to impart a Christian lesson, like the hornbooks and chapbooks that came before, but was simply for a child's amusement—to tell children that it was okay to have fun.
In later historical books, Lenski would add some danger or mystery into the story (the pirate character in Ocean Born Mary, the pioneer journey in A'Going to the Westward, etc.) rather than having a simple series of incidents in a child's life. Still worth reading for Lenski's research and the glimpse into 1820s American rural life.