Our friends' daughters were passing this around at a birthday dinner at a Korean steakhouse. I bit more than the delicious dinner.
The protagonists are Sloane Sutherland and Rowan Kane. Both are serial killers who only kill serial killers. Rowan's known as the Boston Butcher, Sloane as the Orb Weaver (because after she kills she creates a "map" of the serial killer's victim's locations with thread and the victim's flesh and eyeballs). They meet when Rowan rescues her from a cage in which she's trapped with her latest victim. There's no denying the sexual attraction, or the competition between the two, so once a year they meet up to see who can take down a serial killer first, a game arranged by Rowan's older brother, who's a hit man. (In the real world, Sloane is a data scientist and Rowan is a chef.)
You're right if you think this is a dark romance. Very, very dark. Both have their demons—in Sloane and her best friend Lark's case, it was a school at which they were abused—and their sex and their romance and the text is all very rough. Not for kids or people who get nightmares easily.
I've read the book, but the graphic novel looked so beautiful...there are wonderful watercolor-looking drawings of the English countryside and the little farms and nature scenes. The rabbits are slightly anthropomorphized (the big eyes, especially the blue eyes on Fiver and Pipkin), but they don't look cartoonish, and the other animals are beautifully drawn.
Two seminal texts on (mostly) fanfiction came out in 1992; I snapped both of them up at Magicon (the 59th World Science Fiction Convention in Orlando, FL) and re-read them every so often, because it was so novel to see serious writing, indeed serious educational writing, about a subject much-maligned: fanfiction ("All written," detractors jibe, "by hormonal teenagers who want to have sex with Spock").
Bacon-Smith, an ethnographer (studying of cultural norms in individual groups), became interested in the mostly female fans of Star Trek, Blake's 7, other science fiction shows, and also non-science fiction series (mainly Starsky and Hutch and The Professionals) who, for entertainment purposes only, wrote further tales involving the characters from their favorites in various themes: hurt/comfort tales, continuing adventures, psychological thrillers, and sexual encounters both hetero- and homosexual. As she became friends with the participants, she found that they bonded through these stories, worked out emotional disruptions in their lives, and took a far more realistic look into the emotional lives of the characters and the original characters created to interact with them than the source material, since the source material had to "play it safe" within boundaries set by the producers.
As indicated by the title, the text concentrates on women in (mostly SF) fandom, a place where many times they have been unwelcome, and how they made a society for themselves. While the shows and also the media (fanzines and story sharing) have aged, the themes have not (women worrying about sexual harassment, for example). Pair with Textual Poachers for a wide view of fandom.
This was the other academic study of fandom and, by extension, fanfiction that came out in 1992. Jenkins' text takes off from William Shatner's infamous "Get a Life" Saturday Night Live skit, in which incensed fans responded that they did have a life; that interest in science fiction/detective series/British programming was just as legitimate as sports fandom or any other intense interest. It also takes the time to define "fan" and "fandom," and note how fans have been portrayed as distorted crazies.
The following chapters address much more than fanfiction: one discusses how the fans of the fantasy drama Beauty and the Beast felt betrayed by the network's choice to turn the romantic/action storyline to just action. Another discusses fanfiction, while a third addresses slash fanfiction, and there is also a chapter about music videos and another about filksongs, something rare in the online fandom today. Although the author in this case is male, there is still much discussion about women being the primary "makers" in fandom and how they react to female characters being marginalized in programming at that time.
Fan art is scattered throughout the book.
Again, much academic vocabulary, but the fan studies are fascinating.
Rue Siebert grew up in an uncertain world: her mother was chronically underemployed and she and her brother often had to shift for themselves. Now she has a stable job in the food science industry under an clever woman who has fought her way up in the business world, and she feels safe for the first time in her life.
Then she finds out her boss started Kline, the business, with a big loan, and the Harkness Group has taken over that loan. Is the Harkness Group also going to buy out Kline? For Rue, this fact is almost as bad as when representatives of Harkness come to talk to Kline's scientists, it turns out she knows one of them: it's Eli Killgore, the man she unsuccessfully hooked up with on a dating app, only to have her brother horn in on their meetup.
As it works out, Rue and Eli are much more than rivals; they're rivals with an undeniable attraction for each other which they give into—surely two adults who are not in love can have kick-ass sex and not get emotionally involved? Outside of the hot sex, there's a duplicitous co-worker lurking at Kline and an injustice trying to be resolved. Much more sex that Hazelwood's usual mix and a sniffly HEA but still not quite up to Love Hypothesis.
King had, for some time, toyed with an idea to walk from Washington, DC, where he lived, to New York City, but after a cancer scare and treatments, decided to make the dream real. So in the spring of 2021, with a backpack and arrangements to stay at small bed and breakfasts or alternative lodging (and not averse to sleeping wild), King did just that, traveling the back roads from his home "nine blocks east of the U.S. Capitol" to the Ramble in Central Park. What follows are his adventures along the road, including incredulous people who can't believe he's walking the whole way (he does, except for a couple of minimal car rides), encounters with curious people along the way, including Amish and Mennonite communities, stops at tiny museums (like one which holds only tools that early Americans would have used) and historical spots, meeting people of all philosophies from MAGA stalwarts to offbeat rebels, enjoying spring blossoming over the countryside (he walks north just in time to follow the flowers blooming), crossing through historic sites (like the crossing of the Delaware and also Valley Forge), and other diverse adventures.
One interesting part is his endeavor to use only old roads and ways to travel, so he doesn't wish to cross modern bridges. This leads him to being lent a kayak to cross a river gap only otherwise accessible through a major highway. He also accepts a ferry ride from the New Jersey shore to Staten Island.
I enjoyed hell out of this, although I could never emulate him!
FBI Special Agent Kimberley Reynolds, who was introduced in
Aaronovitch's "Rivers of London" in Whispers Under Ground, is the
focus of this short novella with a seasonal theme (after The October Man
and What Abigail Did That Summer). A retired FBI agent calls in an
alarm about a mysterious event in Eloise, Wisconsin, that no one
understands until Reynolds finds out about it. She travels to Eloise to
find that portions of the town have been destroyed by an "ice tornado,"
the FBI agent is missing, and some ominous creatures are wandering the
shore of the nearby lake.
This starts out slowly, with Reynolds narrating her involvement due to
her knowledge of esoteric activity that she learned from Peter Grant
during his involvement in the previous case and talking about her past.
However, the pace picks up very quickly as odd "monsters" creep out of a
blizzard and wreak havoc in the town. The end is a tense chase straight
out of a horror film as a long-buried curse has been unearthed
involving Native American spirits.
I enjoyed this although it was a different narrative from the
British-set books. Some British-isms do creep in, but I don't find them
all that distracting. Reynolds herself is an interesting character
because she was brought up as a strict Christian, but is now dealing
with otherworldly events with no relation to the beliefs her mother
tried to instill in her. I also liked the slow-attraction romance that
is very peripherally part of the story (the ending is particularly
sweet).
The tenth book in the Longmire series. Longmire's daughter Cady, now married to the brother of Walt's undersheriff Victoria Moretti, is expecting her first child and expecting Walt to be there at the birth. And he expected to be there, until his friend and former boss Lucian Connally asks if he will help out in the case of a fellow law-enforcement officer in the next county who apparently committed suicide. He figures it will only take a day or two.
If you believe that, you haven't read a Longmire book. Vic Moretti and Walt's best friend Henry Standing Bear end up helping in the investigation, which comes to involve a missing woman from a strip club, sending Walt from a casino to a lodge on the trail of what made Gerald Holman kill himself.
Slow build with a frantically tense ending involving a railroad spur line that will leave you gasping.
Does Longmire make the birth? It's Walt—you figure it out.
From the book sale. Really nothing I didn't know. I got some tips from it, though. Worth the $1.50 I paid for it.
30 June 2024
Books Completed Since June 1
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