Showing posts with label war. Show all posts
Showing posts with label war. Show all posts

30 November 2023

Books Completed Since November 1

book icon  Battle of Ink and Ice, Darrell Hartman
On September 1, 1909, Dr. Frederick Cook announced he had reached the North Pole on April 21, 1908. He immediately cabled the New York Herald, which had already underwritten other explorations--it was James Gordon Bennett who had sent Henry Stanley on his search for Dr. David Livingstone. In April of 1909 Robert Peary claimed he had reached the North Pole first; The New York Times took up his cause.

This is the story of "the race for the pole"--and also the rise of New York newspapers from reporting the news to actively making news: sponsoring or even initiating events like Stanley's search for Livingstone, the Spanish-American War, and polar exploration. It's a study of James Gordon Bennett, the editor of the Herald. bon-vivant and not usually in the United States, and Adolph Ochs, the southern native who bought the Times on credit and developed the reputation it has today.

If you think "fake news" is a new thing, this book will disabuse you of that opinion immediately. More truth: neither Cook nor Peary ever reached the North Pole (although it appears Peary got closer than his opponent), and neither of them come off as sterling people in this recounting of the history; heck, even the National Geographic Society comes off as rather shabby. A sobering look at how publicity and money can corrupt.

book icon  Band of Sisters, Lauren Willig
During World War I, a group of Smith College graduates, organized by a tireless alumnus, volunteered to go into the war zone that was Europe, to help in some way: go to villages and bring books, education, helping hands, food, and any other succor they can manage. Surely as college graduates they can manage these simple things!

But when they hit the battlefields, meet the people displaced by combat, and their supplies are delayed or don't come at all, they are forced to rely on teamwork, grit, and invention to help the children and women they have bonded with and have made promises to. It's also the story of the conflict between scholarship student Kate and wealthy, open-hearted Emmie, who had been best friends at Smith until some of Emmie's patronizing friends made Kate feel like a charity case.

This is based on a true story, told in a book written by one of the Smith graduates after the end of the Great War. I really enjoyed it more than I thought it would.

book icon  Hooked, Emily McIntire
This was my first foray into "dark romance" and I'm not sure I'll be back. The sex scenes certainly are...spicy and graphic, though.

This is a riff off Barrie's Peter Pan in McIntire's "Never After" series (all based on fairy tales), in which James "Hook" Barrie runs a criminal drug empire along with his mentor, Ru, and has already killed the uncle who raised him, who he hated. Soon he meets a desirable young woman in his club, Wendy Michaels, who he discovers is the daughter of wealthy businessman Peter Michaels, someone Hook hates as much as he loathed his uncle, so he plans to seduce and discard her as a thumb of the nose to his enemy. But instead he finds himself falling for Wendy and starts to believe she loves him, until she appears to have betrayed him.

No soft-soaping here: there are murders, torture, drug use, child abuse, rough sex, the works. If you feel like dipping a toe in, feel free, but know what you're getting into.

book icon  Lyra's Oxford, Philip Pullman
Pullman has written about a half dozen short stories as companions to his "His Dark Materials" trilogy. This is a 2021 special edition of the first story with illustrations by Chris Wormell, in which Lyra tries to help a raven that is to lead her to a certain alchemist. The illustrations carry this story; it's worth having just for the art.

book icon  Fabric, Victoria Finlay
I hate sewing. I don't even like hemming pants. Occasionally I do hem things, or darn holes. So why did I buy this book? Well, because it's Victoria Finlay and I loved her books about Color and Jewels so much that I knew I'd love her writing if nothing else.

I loved this book, which tells of Finley's travels around the world to trace the history of the fabrics human beings have been using to cover themselves for hundreds of thousands of years, starting with the simplest, barkcloth, where Finley meets some of the last women in the world who still make the traditional item and utilize the original designs. Cotton, wool (and tweed), linen, silk, and others also get their due as we follow Finley around the world: Micronesia, New Guinea, the birthplaces of the cotton empire, England's wool empire, India, the fairy-tale realm (where you find out Sleeping Beauty's spindle isn't what you think it is), and so much more, centuries of different cultures, customs, and designs.

As she travels the world Finley also copes with the aging, illness, and death of both her parents. The combination of stories is unforgettable.

book icon  Killers of the Flower Moon, David Grann
The Osage tribe of Indians were driven onto land that white men did not want late in the 1800s, where they kept to themselves and raised families. Then the discovery of oil and the need for petroleum products on their tribal lands made the Osage the wealthiest persons in the world (although the government felt they still had to be "looked after" like children). Until they began dying one by one. Until the deaths became so blatant that the newly-organized FBI and their dynamic new director J. Edgar Hoover took notice and sent a former Texas ranger, Tom White, to investigate.

Told is a chilling tale of greed and white privilege in an era that treated Native Americans as incapable of conducting their own affairs.

Grann has won book awards and the story he tells is compelling, but his narrative seemed a bit flat to me.

book icon  Dead Dead Girls, Nekesa Afia
Louise Lloyd at sixteen was kidnapped, but was able to escape and bring other kidnapped girls home. Alas, she could never make her exacting father, a minister, happy by being the perfectly behaved daughter, so she lives in a rooming house with, among other people, her love Rosa Maria, and finds solace in dancing at Harlem's hottest dance venue in the 1920s, the Zodiac.

Until she gets herself arrested and ordered by a white police officer that she will help them solve the murder of a Black girl that she knew—or else.

Louise is a great, spunky heroine who's in over her head as an amateur investigator (and the police detective knows it). You sometimes want to tell her to wise up. You also feel for her and her love for her sisters, and her awkwardness with her rigid father. And although the author tries hard to give it a 1920s vibe, I never quite believed it took place during the Harlem Renaissance, and I guessed the murderer way too early.

book icon  A Cornish Christmas, Tony Deane and Tony Shaw

book icon  Christmas Past, Brian Earl

30 June 2021

Books Completed Since June 1

book icon  Beth & Amy, Virginia Kantra
This is the second book in Kantra's two-part Little Women modernization taking place in Bunyan, North Carolina, this time concentrating on the two younger March sisters, who are bound together emotionally by being raised in their sisters' shadows. On the surface both Beth and Amy are doing well. Beth's music has taken her far from Bunyan, where she's become songwriter, singing partner, and lover to Colt Henderson, famous country music star. Amy has gone from struggling in her fashion-oriented career to success after she designed a handbag that was used by Meghan Markle, and she's thinking of expanding her business. But Beth is hiding a secret, and Amy is still trying to cope with her long-term crush on the March family's "brother by choice," Trey Lawrence—who's still smarting from his aborted romance with Jo March.
 
I pretty much guessed what was going on with Beth from the first and was indignant that she felt as she did. Amy comes off much better than she does in Little Women (but as Kantra points out in the afterward, we always saw May Alcott, the original of Amy, from Louisa's point of view, the babied younger daughter who missed the drama of Bronson Alcott's aborted communal living experiment at Fruitlands and who wasn't forced to go to work like her elder sisters because her father refused to do "inappropriate" labor); she truly wants Trey to love her, not to "settle" for her as an also-run after not marrying her sister.
 
Abby and Ash March's marriage problems are also addressed in the story, which, in this volume, works very well, and Kantra also introduces a new "old" character, a veteran named Dan who helps Abby with the goat farm and becomes a friend of Beth, her attempt to give Dan of Jo's Boys a happier ending.
 
I enjoyed this more than Meg & Jo because it gave Beth and Amy chances to shine—and because there wasn't a lot of talk about being a chef and cooking. 
 
book icon  What the Dog Saw, Malcolm Gladwell
This is a collection of Gladwell's "New Yorker" essays over the years that explore everything from the history of Ron Popeil and the kitchen gadgets Ronco has pushed over the years to the generalization that all pit bull dogs are dangerous. There's a nifty article about why, although there are many kinds of mustards, ketchup has remained the same over the years (did you know there were specialty ketchups?); how Clairol and L'Oreal made hair color legitimate (and not something just "floozies" did) using two different advertising campaigns, both which work; how Cesar Millan uses body language to work with dogs; how interpreting photography—both for mammography and for spy photography—isn't the cut-and-dried affair you might think it is (leading the military to believe in "weapons of mass destruction"); the difference between "choking" and "panicking"; why some genius burns early and others are "late bloomers"; and analysis of why Enron failed; and more.
 
The only essay I couldn't make much sense out of was the one about investments, but it was well-written; the failing was mine. Enjoyed this more than I did The Tipping Point; interestingly enough, a friend read the same two books and liked this one less. YMMV.
 
book icon  Dear America: One Eye Laughing, The Other Weeping, Barry Denenberg
I always approach a Barry Denenberg "Dear America" book with trepidation. Once again, it's deserved. The good news and the bad news: Denenberg does not soft-pedal in the first half of the book, where Julie Weiss, her parents, and her brother experience the rise of Adolf Hitler and the annexation of Vienna, which brought misery and death to Jews like themselves. Be aware reading this that the story includes abuse, violence, virulent bigotry, betrayal, and suicide, as was experienced by the Jews of Vienna. Her mother is referred to as "a Jewish b---h" twice in the text.
 
Denenberg says in his afterward that he kept Anne Frank's diary near him as he wrote this. Indeed, much of the plot echoes Frank: Julie is jealous of her talented older brother (rather than sister), spoiled by her dad, and you can see an echo of Peter's mother in Julie's. The opening diary entries chronicle Julie's trivial schoolgirl problems until little hints tell us all is not well. Then the Nazi terror builds until Dr. Weiss sends Julie to America to be with her aunt and uncle. Here she faces nightmares until her Aunt Clara, an actress, and her Uncle Martin, a stockbroker, break down her defenses. The end of the story has Julie getting involved with Aunt Clara's play and goes back to being trivial again.
 
Along with Nazi abuse there is an undercurrent that adults would more understand than children. The Weiss marriage seems troubled. There is some mystery about Aunt Clara, and once Julie gets to the US, a mystery about someone named Eva. There's a real horror story here, but it seems disconnected, and the whole business about Julie and the play seems mere fantasy. As always, Denenberg's epilog is depressing (although here it is expected) but a few people do survive.
 
[Note: the author also makes a mistake in dating a famous historic event. He portrays Orson Welles War of the Worlds adaptation as taking place on October 31. Although the broadcast was intended as a Hallowe'en treat, it was actually performed on October 30, 1938.] 
 
book icon  Buffy the Vampire Slayer FAQ, David Bushman and Arthur Smith
This is another enjoyable entry in Applause's "FAQ" series which also acknowledges the original film, which creator Joss Whedon intended to be more serious, and the comic books, especially the "Season Eight" issues that are considered canon. It also touches briefly on Buffy's "sister series" Angel.
 
I read a criticism of this book that it's basically a rehash of the two Watcher's Guide books and therefore an overview of episodes, characters, arcs, and seasons. All I can say is that there are unique interviews to this book, and there may be people out there just getting into Buffy who haven't read the Watcher's Guide. If I have any complaint about this book, it's that it sometimes repeats information about an encounter from every single different viewpoint. Talk about overkill. And sometimes the narrative is a bit too cutesy. Otherwise I enjoyed the photos and information.
 
book icon  Re-read: Lammas Night, Katherine Kurtz
It is a known fact that Adolf Hitler and many of his followers were great believers in the occult and, as also noted in Raiders of the Lost Ark, collected occult items in an attempt to use them to advance the cause of the Axis powers. It is also believed that during the time of the Spanish Armada, the psychic forces of England's esoteric community caused the storm that vanquished the ships.
 
The British esoteric community is still fighting the forces of evil in this military fantasy set during World War II. Intelligence agent Colonel John "Gray" Graham is not only an important operative in MI6, but a leading member in England's occult community. An operative has just brought them information that the Nazis' occult community is planning dark magic against their enemies; Graham must try to organize the British equivalent against them. He finds assistance in an old friend, Prince William, the youngest son of King George V. William, the twin brother of epileptic Prince John, most often feels like a fifth wheel in his family, fit only for minor diplomatic social events. He doesn't know about Gray's secret life, but the situation has become dire enough that Gray considers revealing more to him.
 
Kurtz paints the military and wartime life of Britain realistically and with great effect, and treats the occult portions of the story with equal respect. It's all very down-to-earth, with no over-the-top fantasy elements, which makes the idea approachable. However, my favorite aspect of the story is Prince William. Since Victorian-era and Edwardian-era history is one of my favorite topics, I know something about the British Royal Family and that Prince John, who had epilepsy and was possibly autistic, did not have a twin brother. Yet William is so realistic that I had to go back and check the family tree I had in one book! 
 
book icon  Terry Nation: The Man Who Invented the Daleks, Alwin W. Turner
This isn't a biography of Nation as such, although it discusses his early life and love of pulp magazine adventure and fantasy fiction. Rather, it is a history of Nation's life against his work in England and in the United States in television, from his first work on The Goon Show and Tony Hancock's different shows to his creation of the Daleks—a creation whose popularity amazed everyone—along with his famous British series Survivors and Blake's 7 (both shows examined in depth), as well as his being producer of The Persuaders and MacGyver in the United States. Two lesser-known series, The Champions and The Baron, are also profiled.

For fans of British television, of Terry Nation, and/or of Doctor Who and Blake's 7.
 
book icon  The Last Passenger, Charles Finch
This is the third and last of Finch's Charles Lenox prequels that take place before the official first book of the series (A Beautiful Blue Death). It is here we first meet Kitty Ashcroft, who returns to help Lenox in the next book of the series set in Lenox's "present day, and also of his friendship with Lady Jane's husband, who is about to come to a tragic end.
 
During a terrible rainstorm Lenox is summoned to a railway station, where the conductor and the stationmaster are guarding a startling secret: a murdered man. Apparently he was killed on the route from Manchester and no one else in the railway carriage knew anything about it. Oddly, all the labels are cut from his clothing. Next Lenox and the police discover that the real conductor—for the man they thought was the conductor was not—dead by the side of the railway tracks. And finally they discover an American traveler is missing: one who was to speak to the British government about the slavery problem in the United States. Another of his companions, a former slave, is on the run, and a third has died in what was thought to be simply a freak accident. Have American opponents to slavery followed the men to England in order to kill them?

England abolished the slave trade and slavery some years before the United States, but repercussions still abound in this mystery which is also part history lesson. You learn something about the attitudes to "the peculiar institution," as well as revisiting Lenox's past household with all its familiar figures like Graham, Lenox's manservant, and Mrs. Huggins, the housekeeper, as well as Lady Jane and her husband.
 
I picked up on at least one whopper of a historical blooper; in one chapter Charles thinks of something as a crossword puzzle clue. The book takes place in 1855 and crossword puzzles were not invented until the 1920s.
 
book icon  The Happy Hollisters and the Whistle-Pig Mystery, Jerry West
I almost feel like I needed to take notes on this, the 28th story in the series.
 
As the book opens, the kids (Pete, age 12, Pam, 10, seven-year-old Ricky, and Holly, age 6, plus 4-year-old Sue) worry about Blackie, the cocker spaniel companion of Indy Rhodes, the Native American head salesman at John Hollister's store The Trading Post, after his playmate, a woodchuck, abandons his burrow on Indy's property. A news story on TV tells them about a train robbery in "New England" (the individual states are never mentioned) where a million dollars in mail sacks were stolen. (Why money would be in mail sacks is never explained.) At the same time the Hollisters' old friend Fritz the wood carver in Germany asks them if they can get him the measurements of a wooden Indian called The Settlers Friend, apparently thinking this statue is common knowledge to all Americans. Well, since Indy is a Native American, of course he has a book about wooden Indian art! In this way, the Hollisters discover the statue is in the Pioneer Village, a museum in Foxboro—amazingly the same place where the robbery took place! Not only that, but the kids discover there's a wooden Indian statue in a basement of an old house in their home town that the owner doesn't want. Guess what! Pioneer Village has a whole exhibit on wooden Indians!

Quicker than you can say Pocahontas, Indy volunteers to take the kids and the wooden Indian to Foxboro. Since he can't be expected to ride herd on all five by himself, he recruits his sister Emmy to come along, and off they go to Foxboro, where they find a third mystery: they're looking for a copy of the signature of a woman named Patience Jones, who owned the property an old covered bridge sits upon. The bridge is going to be demolished rather than moved unless the caretaker of Pioneer Village can prove Jones' signature on a will is legit. The kids hope her signature is on one of the historic "autograph quilts" that 19th century women made.

Confused yet? Just wait: there's also a kid named Wally who helps the children detect, a little girl named Zuzu who tells tall stories, a hurricane that hits during the story (and nobody takes precautions), a flood after a dam breaks, an abandoned waterwheel mill, a church belfry, and an elderly farm woman named Mrs. Willow, who owns an oodle of friendship quilts. And more groundhogs, which unfortunately Emmy tells the Hollisters are known as whistle-pigs, so the name appears over and over in the text.

Although the story attempts to point out that Native Americans look like everyone else—seriously, the kids almost miss Emmy at the airport because they expect her to be in buckskin—there are entirely too many instances of Indy "flashing his white teeth." This is annoying because the Seminoles in the previous Sea Turtle books are mostly not treated as curiosities. Also, it seems dumb for someone (I'm looking at you, adults!) not to take the wooden rifle of the Indian the Hollisters found in the cellar and keep it somewhere safe, because the darn thing keeps falling off.

Also weird that West uses the name "Foxboro" for the city where the money goes missing, but never identifies, as any fan of the New England Patriots can tell you, that Foxboro is in Massachusetts. It would have been better to make up a name, especially as "Pioneer Village" appears to be a dead ringer for Massachusetts' classic living history museum, Old Sturbridge Village, which is sixty miles from Foxboro, not right next door. (There's a "Pioneer Village" in Salem, MA, but that's not close to Foxboro, either.)

Kids will like the perpetual motion plot, but for adults the constant coincidences and the annoying repetition of "whistle-pig" will probably sour the broth.
 
book icon  The Hollywood Spy, Susan Elia MacNeal
In her tenth adventure, Maggie Hope, former codebreaker for the British (although originally from Massachusetts) and trained spy, has flown to Los Angeles at the request of John Sterling, an RAF pilot and writer who was once her lover. John's fiance has died, drowned in a swimming pool, and the story is she was drunk and possibly on drugs, and John hopes Maggie can suss out what happened. Since this is a mystery, Maggie of course, susses out a good deal—including the suppression of other murders and a planned "major event" that will rock the city, and be blamed on Jews.
 
This is a difficult book to read, because it tackles the tawdry underbelly covered by the gloss Hollywood projected in the 1930s and especially in the 1940s. Under the sunny skies, Los Angeles was a dark place of bigotry. You might have learned about the "Zoot Suit Riots," where Mexicans were harassed by police and military alike, but 1940s L.A. was also a hotbed of the Ku Klux Klan and Nazi sympathizers. Most of businesses were still segregated, not only against people of color but against Jews, and the KKK also fomented prejudice against Catholics and gays. One of the characters involved is the teenage son of a KKK member, who warns him against dating "that Mick," a Irish Catholic girl. In another subplot, Sarah befriends Henri Batiste, a Creole clarinet player, and when they want to go somewhere to eat, they have to consider what restaurants will accept Henri. I'm a little puzzled that Maggie is so surprised about the racism in Hollywood when in a previous book, which took place in Washington DC, she encountered a black man about to be executed for a crime he didn't commit and was trying to help to clear him. Also, so many of these historical books seem to imply that white Britons were not bigoted and readily accepted people of color and gay people. It is true that during the war the British did not have segregated facilities as in the U.S., but you have only to read British books published in the past to see Indians referred to as "wogs" and treated as if they were subhuman, gay men and women considered abhorrent, and people of color insulted, reviled, and referred to with the "N" word.
 
MacNeal did a lot of research on this book and much of it shows. She takes great delight in describing the Technicolor aspects of the 1940s: the cars, the beaches, the restaurants, the homes, the clubs, the countryside, backstage on soundstages, and tries to make the 1940 face of L.A. come as alive as possible. She tosses in lots of trivia like the fact that Los Angeles experienced its first smogs during the 1940s due to the pollution from war plants. (She missed at least one thing: while criticizing the heinous internment of Japanese-Americans, she has a character state that neither Germans nor Italians, also our enemies, were interned. Actually 11,000 Germans and somewhere between 3,000 and 10,000 Italians, some of them naturalized citizens, were put into internment camps as well.)
 
The mystery is fairly complex, but you have to be willing to get through some stomach-churning moments to get there—not just violence, but a disgusting scene with the KKK boasting about their wholesomeness at a church event, for example. Be warned.
 
book icon  The Pioneers, David McCullough
Back in my school days, I read Lois Lenski's historical children's book A'Going to the Westward, the story of the United States citizens' first move west, from the New England states to the newly-acquired "Ohio country." So it was with interest I picked up this book, which is a nonfiction recounting of the event. The bulk of the story revolves around several men: Manasseh Cutler, who drafted the original Northwest Territory charter and got Congress to approve it (the charter proposed some novel resolutions of the time: there would be complete freedom of religion, education would be guaranteed, the Natives would not be molested, and slavery―still legal in all thirteen states at the time―would be absolutely forbidden) and his son, Ephraim, who lived in the Ohio territory; Rufus Putnam, former Continental Army soldier; Joseph Barker, the builder; and finally Samuel Hildreth, who served as the big names in the history of the settlement that would eventually be Marietta, Ohio, named for Marie Antoinette.
 
Alas, the Indian resolve was short-lived. The Native people welcomed the whites from the East so long as their numbers were small; when more emigrants showed up, they felt surrounded, and they began attacking white communities. Pleas for help finally brought an army led by Mad Anthony Wayne which drove the indigenous population away forever. However, their other resolves were stronger and slavery was kept out of the area through the endless work of Ephraim Cutler. McCullough chronicles the founding of Marietta from the first wagons moving into the deep woods of Ohio―just the words recounting the work required to fell the trees is exhausting―to the late 1830s.
 
This is a good book about a time in history not much covered by nonfiction, but a bit plodding.

book icon  Re-read: A-Going to the Westward, Lois Lenski
Having read The Pioneers, I went back to the original Lenski volume. She is most well-known for her regional novels like Strawberry Girl, Prairie School, Judy's Journey, etc. and the similar "Roundabout America" books for younger children, but she also did a half-dozen or so historical books, the best known which is Indian Captive.

Reuben and Roxana Bartlett and their two children, sensible 12-year-old Betsy and sensitive 8-year-old Thomas, are just one of many new American families "a-going to the Westward" to join an uncle. They are joined by one of their church deacons, cobbler Joel Blodgett, Reuben Bartlett's other brother Robert, and the redoubtable Matilda Stebbins, a spinster relative who is on her way to Ohio to be reunited with her niece, and,  unfortunately, by the rowdy Perkins family: coarse and often drunken Jed, ever-ill Parthenia, and their two children Ezekiel and Florilla. Jed is glad to be leaving Connecticut with its Blue Laws and strict Calvinist teachings, and he has a burning desire to best the Bartletts and their "annoying piety."

Today this might be considered a very strange children's book, but I've always loved it from my teens because Lenski tries hard to stick to the child-rearing and stoic customs of the times. The children do not expect to be hugged and coddled unless they are very ill, and the adults do not comfort or support them as they would today. No one is told it's "okay to cry," or to shirk on chores in an emergency; Betsy is always knitting or sewing—no playing dolls for her. At one point Betsy is left behind (a machination of Jed Perkins)  and, while her parents do worry, they pray that responsible Betsy will fall in with another family going west and will join them in Pittsburgh; eventually Joel goes back for her. Lenski is also unstinting about the hardships of the western trail: there are no merry days picking flowers and enjoying nature, but there are many days when the breakdown of their wagons, or a stopover at a dirty inn with drunken men, or long days of rain sorely test the resolution of the families. Conniving Jed Perkins is also determined to sabotage the Bartletts' progress and is a continual thorn in their sides.

Another aspect of the story is the Connecticut Yankee meeting new cultures on their journey. As they travel through Pennsylvania they meet the Ermintritt family, a hard-working clan of "Pennsylvania Dutch" also heading west, and while the adults initially distrust the German-speakers and think they are continually swearing at them, Betsy makes a fast friend in twelve-year-old Lotte. Once arrived at their homestead, they must befriend the Kentucky-bred Scruggs family who distrust book-learning and think the Yankees are snooty. There is as much story about the adults as there is about the four children; especially feisty and stalwart Matilda and merry Joel and bookish Uncle Rob and Reuben and Roxana Bartlett, plus characters like Herr Ermintritt, the German innkeepers, their flatboat pilot, and the elderly German man Betsy meets enroute all have their stories and their experiences on swollen rivers, in crowded filthy wayside inns, riding in wagons that overturn or jounce teeth against teeth as they bounce through the ruts. This book is worth reading even if just once to see how the first westward pioneers endured and prevailed on the trail.
 
Also, after reading The Pioneers, it's fun to see what the Bartletts experience that was mentioned in that book: "the River Beautiful" as the Ohio was called, the New Orleans (first steamboat on the river), the town of Marietta, the Muskingum River, the village of Belpré, and Blennerhasset's island with its beautiful plantation house described by McCullough; the Blennerhasset family later got mixed up with Aaron Burr's traitorous plot for the Northwest Territory to break away from the United States. Several of the people mentioned in McCullough's book provided the historical manuscripts Lenski consulted when she wrote A'Going to the Westward.
 
book icon  Murder, Take Two, Carol J. Perry
It's number ten in Perry's "Witch City" series set in Salem, MA, and Lee Barrett (neè Maralee Kowalski, journalism graduate, young widow of a race car driver, and now back living upstairs at the home of the librarian aunt Isobel [Ibby], who raised her) receives a call from one of her former students at the local community college: his nephew, a local professor, has been accused of murder. Not only that, the murder almost perfectly mimes a real-life Salem mystery, the murder of a sea captain in 1830. Roger Temple and his twin Ray are on their way to Salem to help him, but beg Lee to look into the crime; they don't believe Cody McGinnis is guilty. Neither do many of his students: they've already formed a defense fund for him.
 
This story almost threw me: usually by chapter five or so, Lee, who has a scrying gift, has seen some type of mysterious vision in a reflection which holds a clue to the mystery. This story is almost straight mystery, with a portion of the plot revolving around Lee's plan for a live-action Clue game, with her visions appearing very late in the story. Also, I didn't like the Charlie's Angels bit with Aunt Ibby and her two friends with Rupert Pennington as "Charlie." It seemed kind of silly. On the other hand, I thought it was cute that Ray Temple was also interested in Aunt Ibby; romance doesn't end when you get older!
 
book icon  The World of Upstairs, Downstairs, Mollie Hardwick
Long before there was nonstop interest in Downton Abbey, another wealthy-family-and-their-servants saga was a big hit in both the UK and the US, Upstairs, Downstairs, the story of the Bellamy family from late Victorian times to the Great Depression, living in their city home on Eaton Place in London. The Bellamys (Richard and two different wives, Marjorie and Virginia, his son James, and their ward Georgina) and their numerous servants: Mr. Hudson the proper butler, Mrs. Bridges the cook, and the maids and servingmen Rose, Sarah, Daisy, Ruby, Edward, Thomas, Alfred, and Frederick were once household names to those who followed their weekly adventures on Masterpiece Theatre, hosted then by urbane Alistair Cooke, for many seasons. To their audience, they were fast friends.
 
Author Hardwick sets the stage for the Bellamy family and company with stills from the series interspersed with real-life photographs, maps, cartoons, engravings, and other illustrations to chronicle the great social changes and even upheavals that began with the death of Queen Victoria and came to a head as the 1930s continued. A great volume for history buffs and Upstairs, Downstairs fans.
 
book icon  A Second Chance, Jodi Taylor
The third in the Chronicles of St. Mary's, Taylor's rough-and-tumble series about the academics at St. Mary's Institute of Historical Research, who investigate the past—but kindly don't call it time travel! Madeleine Maxwell and her disaster-prone crew of researchers dip into Isaac Newton's time and then attend a cheese-rolling event in Gloucester without too many problems, but when they set up a longer mission to Troy, first to see the city as it was and then to see it under siege by the Greeks (and find out the truth of the Trojan Horse and the infamous Helen), things go very, very wrong for what was supposed to be "Max's" last mission—once seeing Troy, she has promised security chief Leon Farrell that they will make a life together.

These books are enjoyable (okay, I'll say it) time travel adventures, and Taylor, a historian (without time travel herself) does a great job of making both ancient Troy and, in a later excursion, the Battle of Agincourt, come to life. Max and her fellow historians are a unique group, each with their own quirks, but still a strangely appealing family group. The storylines are similar to Connie Willis' time-traveling historians in The Domesday Book, etc., but done with more humor and earthiness.
 
book icon  The Happy Hollisters and the Ghost Horse Mystery, Jerry West
In book 29 of the series, Indy Rhodes, trusted employee at John Hollister's Shoreham store The Trading Post, and his sister Emily are on the way home with the five Hollister children, Pete (age 12), Pam, 10, seven-year-old Ricky, and Holly, age 6, plus 4-year-old Sue, after their solving several mysteries near "Foxboro" in a generic New England. Then Pam spots a pink sea gull at the side of the road. Finding the animal and returning it to its home on the shore has the kids all excited about helping out an Audobon project to study the gulls, and also return a young screech owl named "Fluffy" to the wild. Indy and Emmy relent—they can stay one night on Wicket-ee-nock Island to see the project, but they must be getting home afterwards! Alas, someone sabotages the sole ferryboat serving the island, and without it there's no other way of getting their vehicle back to the mainland, so the two adults and five kids are trapped camping out in an old inn. There is an older couple nearby, but they are very secretive, and there's a "ghost horse" galloping around the island. Trust that the kids aren't going to let the grass grow up under their feet solving this mystery, and in the meantime they help the college students marking the gulls, and enjoy the beach.
 
Kids (and maybe their parents) will be positively gobsmacked that Pete and Pam are allowed to go back to the ferry port on their own (hitching a ride with a friendly clammer), rent a boat, pick up groceries, etc. The kids can also camp out on the beach with the college students, no adults in sight. Ah, for the good old days! Heck, the adults even join them for a stake-out, with only Sue left behind, when the mystery deepens! And once again little Sue provides a vital clue! Besides a couple of identifiers of "the Indian" for Indy and Emmy that really aren't needed, as in this book they are pretty much in loco parentis for the kids, a nifty mystery with a nice salty seashore coating!

book icon  My Heart is Boundless: Writings of Abigail May Alcott, Eve LaPlante
Much has been written about Louisa May Alcott (including fictional mysteries) and some about her visionary but deadbeat dad Bronson, but not much at all about her mother, the tireless provider for her family, Abigail "Abba" May Alcott, who was the inspiration for Little Women's Marmee. Eve LaPlante has chosen to right that wrong with Marmee and Louisa and now this volume of Abba's diary entries and letters.
 
Sadly, both show what happened to poor Abba, who, at first was educated by reading her brother's schoolbooks and her journals and letters reveal a bright and promising girl, and later woman, whose mind did not stay confined to "a woman's sphere." Then she met Bronson and the rest of her letters and diaries are full of endless pleas for assistance and a chronicle of her travails trying to keep her children fed while Bronson wittered around talking philosophy and ideal communities where "everyone was equal" (except for Abba, naturally, who worked like a horse). (I'm sorry. I hate Bronson Alcott. Can you tell?) Eventually Abba gave up on Bronson and relied on her two eldest Anna and, of course, Louisa) to keep hearth and home together.
 
This book just made me desperately sad.
 
book icon  A Short History of Nearly Everything, Bill Bryson (illustrated edition)
I read this book wayyyyy back in 2008:
 
What's your favorite thing in the entire world to indulge in? A box of chocolates? Shoes? New clothes? Computer parts? Bryson's book of science, irresistible from the first chapter to the last (starting with "the big bang" [if that's even how it happened] and ending, alas with Homo sapiens and our irresistible urge to make things extinct), is like an enormous container of every favorite thing you've ever wanted. Even if science wasn't your favorite subject in school, you will find this an immensely readable narrative of the cosmos, stars, planets, atoms, molecules, cells, Earth, life, evolution, and finally the rise of Homo sapiens and the people who studied them. Call it "science made comprehensible," and even better, science narrative that makes you want to continue pursuing other science narratives. Like popcorn. Chocolate. Books...
 
The illustrated version is liberally sprinkled with photographs (including the scientists profiled), maps, illustrations, graphs, cartoons, paintings, snapshots, landscapes, botanical specimens, news articles, woodcuts, vintage posters and book covers, etc., in short, all the supporting information that makes the volume even more delightful.
 
book icon  Chesapeake Requiem: A Year With the Watermen of Vanishing Tangier Island, Earl Swift
Tangier Island, in Chesapeake Bay, has a long history going back to the original Virginia settlement, but is more well-known as a tight-knit inter-related community several generations old of shellfishing natives who pretty much know no other life. Like the Gullah of the coastal South, they have their own accents and a difficult way of life most would not like to follow. Swift visited the island several times between 2010 and the publication of the book, and brings to life their hardscrabble life making a living supplying most of the crabs eaten on the East Coast and doing without what are considered necessities today, like the internet and cable TV. Plus the islands themselves are slowly eroding away, whether it is from "erosion" as the natives claim (and indeed the area appears to have been eroding since its founding) or whether by sea level rise due to climate change.
 
By the time you finish this book, you will feel invested in the people you meet, whether you concur with their beliefs or not. Most of the island population belongs to a Methodist parish or an offshoot of it, and many of them believe that Tangier has been protected by God all these years. They are also politically conservative, yet at the same time they work hard to make their living and don't think off-islanders understand the area as they do because they have lived on the land so long.
 
I was rather upset by the internet comments that were made about the islanders after they came out strongly for Donald Trump in the 2016 election, which smacked of the offensive comments made by similar people when fires destroyed part of Gatlinburg, Tennessee—basically that the people of Tangier (and of Tennessee) didn't deserve to live because they voted Republican. These critics, whose morals are supposed to be "better" than the people they oppose, showed themselves as being just as bigoted and narrow-minded. Shameful. 
 
book icon  Return of the Pharaoh, Nicholas Meyer
Juliet Watson has a cough which is all too familiar to her husband, Dr. John Watson. Encouraged by her physician to take her to a warmer climate, Watson picks Egypt, where Juliet is enrolled in a severe course of treatments at a noted clinic, leaving Watson on his own much of the time. It's then he runs into Colonel Arbuthnot—in reality, an undercover Sherlock Holmes, trying to discover the whereabouts of an English duke who's become enamored of Egyptology, but has vanished, leading to inquiries from his wife and the Home Office. As part of his investigation Holmes has discovered several other Egyptologists have died, or gone missing, as well. The story follows Holmes' and Watson's search, from a hotel with a disappearing room to finally end in a railway trip that nearly turns deadly, and then, with the help of Howard Carter (several years before he became famous for discovering "King Tut"), tracking down a tomb which has apparently remained untouched and is full of gold and other riches.

The pros of this book: Meyer has his Victorian vocabulary pretty much down pat, so it sounds like something Arthur Conan Doyle might have written. His Holmes/Watson badinage is fair; it doesn't sound quite as good as in his previous works. Meyer also brings Edwardian-era Egypt to life, from the heat to the smells and sounds of the streets and the marketplaces to the vintage treatments Juliet has in the sanatorium to the realities of the environment to the sensations of crawling inside tombs thousands of years old. The cons: to me it just kind of ambles along, with no suspense until the second half, a little like a Rick Steves' travelogue. So I enjoyed it, but there were certainly bits where it dragged in spots, especially in the first half of the novel.

(Also wondered if Meyer's reference to the wallpaper at the duke's hotel was a tip of the hat to Charlotte Perkins Gilman...)
 
book icon  Re-read: Busman's Honeymoon, Dorothy L. Sayers
I'd had no plan to pull this and re-read it, until TCM did a day of vintage honeymoon flicks and played Haunted Honeymoon, the only film made of a Lord Peter Wimsey novel, with debonair Robert Montgomery (yes, Elizabeth's father) as Peter and Constance Cummings as Harriet Wimsey, neè Vane. While the plot had to cut most of the various charming interchanges between the characters as in the book, they did stick closely to the story: Peter has bought Harriet, as a wedding gift, a home she loved in her old hometown, a cottage called Talboys, and brought her there to spend their honeymoon. But when they arrive, the house has not been prepared as Peter had been assured it would be, and, indeed, the housekeeper and the former owner's niece know nothing about the sale. Alas for the Wimseys' honeymoon: the body of the former owner is found on the stairs to the cellar, and foul play was obviously involved.
 
Sayers and a partner originally wrote this as a play, after she finished Gaudy Night in which Peter eventually proposes to Harriet, and said no more novels were in the offing, and then novelized the play. As in all the Wimsey books, it contains a delightful contingent of characters: the snoopy Mrs. Ruddle, who cleaned for the victim; spinster Aggie Twitterton, the deceased's niece; Frank Crutchley, the handsome handyman who's also handy with the ladies; Inspector Kirk, who can match Peter quote for quote from literary sources; Joe Sellon, the constable with a secret; Tom Puffett, the chimney sweep; and other village denizens. I'd forgotten some of the soul-searching bits, where Peter thinks he's not good enough for Harriet and Harriet of course thinks she's the one that's not the ideal mate; also the battle between Peter's efficient manservant Mervyn Bunter and the meddling Mrs. Ruddle which ends in a gastronomic tragedy; and Sayers' once again skillful skewering of the Press. Plus there are the well-remembered delightful bits: the story being opened with a series of letters, including one from Peter's wonderful mother, the Dowager Duchess; and of course the postscript where Harriet goes to the Ducal seat for the first time and tours the family home.

Since it's the last in the series and has built upon Peter and Harriet's relationship as set up in Strong Poison, Have His Carcase, and Gaudy Night, this is best not read first—but then Peter is best read in order, even if the first book, Whose Body? isn't one of the better stories (they take off with the second volume, Clouds of Witness, complete with a nice Sherlocky-setting on the moor). Sayers' Wimsey series is delightfully intelligent, witty, and conveys the mores of 1920s and 1930s.
 
book icon  A Darker Reality, Anne Perry
This is the third book in Perry's new Elena Standish mystery series, taking place in the mid-1930s. Elena (a professional photographer and neophyte MI6 operative) and her parents, British Charles and American Katherine, are in Washington, DC, to celebrate the 60th anniversary of Katherine's parents, Wyatt and Dorothy Baylor. At the celebratory party at the Baylor home, Elena instantly connects with a woman named Lila Worth, an Austrian beauty married to scientist Harmon Worth, who is working on atomic physics. Several hours later Lila is murdered by having been run down by her grandfather Wyatt's car—and Wyatt can't prove where he was at the time of death. With the help of James Allenby, ostensibly from the Foreign Office, but really a fellow MI6 operative, Elena will search for the person who has framed her grandfather.

This all sounds terribly exciting, but...seriously, it's not. The first half of the book is endless soul-searching (with four shifting points of view) among Elena, Charles, Allenby, Elena's former MI6-head paternal grandfather Lucas, and Elena's mentor at MI6, Peter Howard, about whether it's right to involve Elena in an investigation, or if Elena is going to find out something about her grandfather she'd rather not know, or how Wyatt Baylor can be so conservative in personal values when Elena has seen the terror Adolf Hitler is causing in Berlin (and would he still have those beliefs if he knew?). It's only in the second half of the novel that their actual investigation begins and people are questioned, and then in the final quarter of the book the pace picks up with Elena finding out more about Lila Worth.

Several great discussions of luscious-sounding gowns (as always in a Perry novel) and of the calm quiet of the Baylor house and its wonderful rooms, but the soul-searching first half will make you wonder if it's worth plodding on. Yes, it is, but be aware it takes awhile.

30 September 2020

Books Completed Since September 1

book icon  1939: The Last Season of Peace, Angela Lambert
I admit, I picked this up because it was only a dollar at the book sale. It's a study of the 1939 "Season"—the time of year when young, wealthy debutantes were presented officially to society, and of course were available for marriage!—in England. And if this book is any indication, I am so glad I didn't grow up wealthy! While I suppose we all dream about winning the lottery, I spent my time reading this book feeling sorry for these rich girls whose time, especially during the Season, was not their own; who were drilled in careful deportment and how to curtsey to the queen, and night after night spent hours dressing, then hours more at debut parties mouthing polite platitudes to young men who were as nervous as they were.

This book was written in the late 80s, so many of the "debs" who came of age that year were alive for the author to interview to the author. Several of these young ladies kept souvenirs of their Season, and the book is liberally illustrated with photos and memorabilia from Susan Meyrick, who kept every single item from her Season, from dried corsages to dance cards. It all looked glamorous and fun, but behind the scenes the girls were exhausted or shy; some, of course, rebelled against the strict behavior codes of the times, yet sometimes still participated in the routines. One of the novelties of the 1939 Season was that Joseph Kennedy was still serving as Ambassador to Great Britain and his vivacious daughter "Kick" (Kathleen) was also presented to the Court at this time, escorted by her brother, later President John F. Kennedy.
 
The most amazing detail here is that you would think these girls, being wealthy and gone on tours of Europe and other places, would have been very worldly, but it was exactly the opposite. Although being presented at the "Season" meant they were ready for marriage, most of them didn't know anything about sex. Some of them had never kissed a boy, even at the "ripe old" marrying age of eighteen, they didn't know how babies were made, and they had never met anyone of a lower social standing than they were except their own servants. They were carefully protected from the "bad things" in life by their fathers, mothers, and brothers. Some of them had no idea how poor some people were; they knew everyone wasn't rich, of course, but they'd never seen anything squalid or horrible. (Fathers would, even in the 20th century, not permit their girls to read newspapers!)

Having never been interested in "debs" and their Season, because the events happened before so many British young men and women were thrown into the maw of the second world war, and because the stories came directly from the debs themselves, I did enjoy reading about what an ordeal this was.

book icon  Murder at Chateau sur Mer, Alyssa Maxwell
Emma Cross, a distant (and poor) relation of the Vanderbilt family, works as a newspaper reporter for the Newport Observer, and is covering a polo game at the Newport Casino. All the finest families, including Senator George Wetmore and his wife Edith, are attending the match—when a disheveled woman comes on to the field looking for Mrs. Wetmore. Behind her Emma hears someone say "Lilah." From her brother and her male cousins, Emma learns that Lilah Buford works with some other well-know ladies at the notorious Blue Moon Tavern—but if that news isn't shocking enough, next day Emma is summoned to the Wetmores' home, Chateau sur Mer, where Lilah lies dead at the foot of one of the staircases. Edith Wetmore implores Emma to discreetly look into the crime before her husband's career is tarnished.

And if Emma didn't have enough problems, she discovers Derrick Andrews, who's in love with her, is back in town, and his mother is ready to marry him off to her. But Derrick has been out of her life for some time, and she's discovered new feelings for Newport police detective Jesse Whyte.

Emma's investigation will take her from the poorest and most ramshackle sections of Newport all the way to the prestigious Reading Room, a male-only bastion; she will face violence, fire, and even the loss of her living. But she works her way through the complicated threads of the mystery—and finally manages to take care of that horse I'm always complaining about. 😀

Incidentally, George and Edith Wetmore were real people; he served as both senator and governor of the state of Rhode Island, and they lived well, but very quietly, at their smaller "summer cottage," Chateau sur Mer, which you can tour.

book icon  Murder is In the Air, Frances Brody
This newest Kate Shackleton mystery (#12), taking place in 1920s Great Britain, has Kate, a private inquiry agent, and her partner, Jim Sykes, hired to look in at the Barleycorn Brewery in Yorkshire, owned by William Lofthouse. Lofthouse, newly married to a young wife, and, wishing to turn more of the running of the company over to his nephew James, hopes Kate and Sykes will spot some little problems that he thinks are keeping the company from running at top efficiency. In the meantime, the brewery is drumming up favorable publicity by promoting a local girl, Ruth Parnaby, who's a whiz in the personnel department, as "brewery queen," a twist on a beauty queen—if Ruth's efforts aren't sabotaged by her drunken father, who's already driven his wife away with both Ruth and young George longing to follow her.

Two plots are running here concurrently: the mystery of who might be sabotaging things at the brewery (a recent new beer was fouled with dirt and rubbish) and also a mystery surrounding one of the workers. It's possible they are both linked, but when two different murders happen, Kate and Sykes discover there are no simple answers in this one.

Brody addresses PTSD (Ruth's dad was not a brute before his war service) and spousal and child abuse against the colorful traditional goings-on in the Great Britain of that era of crowning a pretty young girl "queen" of a certain industry (cloth mills, railways, coal mines) to perk up tough times in industrial towns. Brody reverses the usual "the mysteries are connected" plot in this story, so there are several different endings to several different crimes, leading to several different cliffhangers, and once again Kate's niece Harriet and landlady Mrs. Sugden prove themselves equal to being part of the solution. The local characters (Ruth, George, Annie, Parnaby, Joe Finch, Miss Crawford, William and Eleanor Lofthouse, Miss Boland the music teacher) are all interesting characters in their own right, and several of them will have your sympathy before the story is concluded.

book icon  This Old Man, Roger Angell
All I knew before I read this book was that Roger Angell was E.B. White's stepson, the son of White's wife Katherine Angell and her first husband, and that he had worked at "The New Yorker," which kept his stepfather and writers like Dorothy Parker, James Thurber, Robert Benchley, and others in the public eye for years. He was, in fact, both a "New Yorker" writer and editor, and this book collects his most famous essay "This Old Man" along with several dozen other essays, profiles, verse, book reviews, and more from his career at the magazine.

I complained in a previous month that Our Boston had way too many sports references. Well, Angell was a sports fan, and I expect sports essays here, but yet in his case I never minded them. When he wrote about sports it was always interesting or compelling in some way, or portrayed a sports figure in a different manner in which I thought of them before. Some of the essays are funny, some brought a tear to the eye, but all of them are a delight to read. I found this for a $1.50 at the book sale, but it's well worth full price.

book icon  The Dark Horse, Craig Johnson
Walt Longmire pulls into the tiny town of Absalom on a mission. He might not have been on that mission had not the Campbell County jail gotten a bit overcrowded and asked Walt if they could keep a prisoner in the Durant jail for a few days: Mary Barsad, a woman who had confessed to killing her husband after he set their barn on fire with her eight horses inside, including an expensive prize Quarter horse named Wahoo Sue, and killed them all.

Walt ends up believing that Mary is innocent, and because he is Walt Longmire, must go to the scene of the crime to investigate and correct this wrong before Mary is convicted. But the citizenry of Absalom aren't going to make it any easier for him, even if no one liked Mary's husband Wade. (Hell, even his brother didn't like him.) But with a little help from his friends both old—Henry Standing Bear and his crew back in Durant—and new—grizzled Herscel Vanskike and the local barmaid Juana and her son Benjamin, Walt is sure as hell going to try.

As I've said previously, I'm not fond of police procedurals, but I love the Longmire books, and especially love Johnson's supporting characters in each book; in this one it's the boy Benjamin and a wonderful horse who is introduced about halfway through the story. (Henry Standing Bear is understood. I love Henry with all my heart.) This one is a thrill-a-minute between the bully boy Cliff Cly that Walt meets in Absalom, a chase through the hills, and the real villain of the piece. The only mystery that remains is how Walt can get beaten up so many times and still manage to function!

book icon  Olive Bright, Pigeoneer, Stephanie Graves
I got this book from Netgalley not long after I read Poppy Redfern and the Midnight Murders, and the two of them have a little of the same vibe: young woman in her twenties living in a small English village as World War II rages—Poppy has trained as an air-raid warden, Olive is the 22-year-old daughter of a veterinarian and pigeon fancier. As much as I liked Poppy Redfern, I almost enjoyed Olive Bright more. The story opens as Olive's best friend George is just leaving the small village of Pipley to join the RAF, and she too wishes to do something for the war effort. Her father has volunteered their homing pigeons to the Army's National Pigeon Service's for courier duty; unfortunately the recruiters know of Dr. Bright's mercurial tempers and are avoiding the Bright loft. Instead, two other, secretive Army officers approach Olive, saying they would like to use the Bright pigeons, but for super-secret war matters they can't tell her about. Eager to get the pigeons in action and without asking her father, Olive challenges the two men to put the Bright birds to the test.
 
In the meantime, with the village women rallying around the war effort, overbearing busybody Miss Husselbee is being more of a martinet than usual. While everyone is annoyed by her, they're also shocked when she turns up murdered at the Bright loft, found by Jonathon, the Brights' young evacuee. Is her death tied to the secret movements of Jameson Aldridge and his partner, the officers who wish to use Olive's pigeons? And, if not, who in the village would want Miss Husselbee dead?

I really, really liked the fact that even to the end of the book there was no effort made to pair up Olive with Jameson Aldridge as Poppy had been paired with the American officer. They are contentious with each other through the end. There's a Welsh corgi in this story as well, and it's called a corgi, not "a Welsh herding dog." I thought the pigeon angle of the tale was a fresh one, something not involving spy training, American bases, or anything else that has been used in historical mysteries before, and enjoyed the fact that the birds are all named after book characters, and Olive herself is a devotee of Agatha Christie mysteries and still is a bit of an innocent at heart. There's also a subplot about Olive's late mother that turned out to be not what it seemed, and I liked that Olive had a good relationship with her stepmother, who is gamely battling multiple sclerosis. I'm not sure if the author plans a sequel, but if she did, I would definitely read it.

book icon  Betsy and Billy, Carolyn Haywood
In a fit of nostalgia I picked this up at some sort of used bookstore on one of our New England vacations, as it was a discard from the Seekonk (MA) public library. Haywood, a prolific children's writer and illustrator who studied under Howard Pyle, had two different series, Betsy (begun 1939) and Eddie (begun 1947), as well as many stand-alone books. I believe by the 1970s the Eddie series was more well known, although the last Betsy book was published in the 1980s.

The Betsy series was one of those "slice of life" (middle class) kids books I ignored when I was of the age to read them, being more crazy about books with animal protagonists. It covers Betsy's second grade school year, with a Hallowe'en party at school, the birth of her little sister on Christmas day, making cookies for the second-grade class' mothers on Valentine's Day, having a Mother Goose exhibition on May Day, and a bazaar to earn money for playground equipment during the last week of school. There's also a couple of funny chapters revolving around Betsy's best friend Billy's dog Mopsie-Upsy Downsy and Betsy's own dog Thumpy. While there are no minority children pictured, the stories are very simply told with a "Mister Rogers" flavor: gentle lessons about accepting yourself as you are, doing your best, forgiving friends who hurt you. Haywood's numerous illustrations are simple and evocative, and several of them, like Betsy wearing leggings to visit Santa Claus, open a window to another era. (As well as one that would make parents gasp now: in the Valentine baking chapter, Billy gets to light the gas oven!) 

book icon  Here's England, Ruth McKenney & Richard Bransten
This is a darling book I found at one of the library book sales, written by two Americans who fell in love with England and return often, and then finally decided to write a guidebook of their experiences and favorite places. They are both history and literature buffs, so most of the sights they pass on are historical and literary in nature—if you're looking for restaurant recommendations and stuff about pop stars, this isn't the book for you.
 
The real charm in this book is that (1) Ruth attempts to explain the convoluted history of England without boring you to death, but also to apprise you of some of the neat characters involved that you usually don't read about, like Margaret of Anjou (who had more cojones than most of the men who surrounded her)—and it does pretty much make sense!, and (2) it was written in 1950 and updated slightly in 1955, so you aren't going to hear about the Eye, the Gherkin, and Canary Wharf; in fact, when McKenney/Bransten talk about St. Paul's Cathedral, they spend several paragraphs mentioning how sad it is that the surrounding area is still covered with debris from the German bombing of London during World War II, and mourn the classic London churches that were too damaged to save and that had been razed. You are looking partially at an England that doesn't exist anymore, one that came to an end with austerity and the Great Smog of London that killed thousands in 1952.
 
It's written in a light style that you don't see in guidebooks anymore, with a real affection for the country and the cities visited, and makes you long for a time machine to go back and see it as it was then, destroyed buildings, coal fires, and all. And she walks around Oxford. I love reading about Oxford.
 
book icon  Death Comes to the School, Catherine Lloyd
It has been three years since Lucy Harrington and Major Sir Robert Kurland married, but as their third Christmas together approaches, Lucy is in a very sober mood. She and Sir Robert have not gotten on well since the summer, when she suffered a miscarriage. He seems to be avoiding her and she is slowly becoming convinced he is no longer in love with her. And then a disturbing thing happens: Lucy visits the village school and discovers the new teacher, Miss Broomfield, is a martinet, with an obsession about sin, who bullies the children and her two young assistants. The teacher was hired back in the summer, when she was so ill, and she can't believe the woman came so highly recommended, but definitely wishes her replaced, but before that can happen, Miss Broomfield is found dead in her classroom, with a quill pen viciously stabbed into her eye. The girl who found her, Josephine, one of two charity children in the school, is hysterical. Although Sir Robert warns his wife to stay out of the matter, Lucy can't help getting involved in the mystery as she plans Christmas at both Kurland Hall and at her father's (the vicar) rectory. Some help arrives in the form of Sir Robert's vivacious Aunt Rose—but the mystery only grows more perplexing when expensive jewelry is found in Miss Broomfield's quarters.

I love these characters, so I'll just hold my tongue about that silly romance-novel quibble I always have: the characters don't speak to each other. (In fact, Lucy chides someone else at the end of the book for not doing the same thing, when she and Sir Robert are tippytoe-ing around each other for nearly the entire book; one longs for them to have a proper fight and have things all come out.) Otherwise the story is entertaining, the mystery suitably convoluted, and Aunt Rose is a delightful character (someone else realizes that as well, in time). All the flurry of an early 19th century Christmas preparatory season just add more color to the tale, and some favorite characters return: Lucy's friend Sophia and her old bete noire Penelope, now married to the town doctor.

Just one thing: don't Lucy's brothers have names? If they were introduced in the first book I've forgotten, but it's more like Lloyd has forgotten, too—she calls them nothing through the entire book but "the twins" and it's like they have no identity other than being twins. Can we have some names and personalities here? Also, how does Lucy's father manage to remain the vicar when he spends most of his days riding and living easily while the curate does all the work? This must be some Anglican custom I don't understand.

book icon  Honestly, Katie John!, Mary Calhoun
This was the third in another series I missed as a kid, so I grabbed it up for a dollar to see what I'd missed. I know I have read the first book, when the Tucker family temporarily relocated to a riverfront home in Missouri to repair and then sell their great-aunt's four-floor house. Instead they decide to stay and run the big place as a boardinghouse. In the second book, apparently Katie John, an irrepressible 10-year-old, helps her parents run the boardinghouse, deals with going to a new school, and gets a beagle puppy she names Heavenly Spot.

In the third book, Katie John enters sixth grade and is immediately put off by the other girls in her class talking about boys. She is still as happy-go-lucky as ever, riding her bike, playing with Spot, and hunting geodes with a boy in her class, Edwin. But when the boys and girls both tease her at the annual fair, she declares she hates boys, hurting Edwin's feelings, but rallies the girls around her briefly. But the girls one by one drift back to their friendships with the boys, and Katie feels increasingly left out. One week she tries being madcap, another day she tries being a lady instructed via an 1896 etiquette book she found in her great-aunt's library, and finally she moves her bedroom to the very top of the house, all the time confused about who she is and what she "should" be.

Katie John's emotional experiences touched me closely. I remember that age, being scornful of the silly romance talk from the other girls. Having watched my mother and my aunts, I was convinced at that age, and throughout my teens that boys (and, later, men) were just simply too much work! And all they talked about were cars and sports! Boring. I felt the most badly because Katie's confusion over her own self nearly messed up her friendship with Edwin, which was a true partnership in exploring and discovery of the world around them rather than silly pre-sexual feelings. But in the end Katie gains some insight in the old house she and Edwin explored together, and they become friends again.

The second book is available to borrow on the Internet Archive, but I'll probably skip the last of the four, which has Katie John developing a crush on a boy in seventh grade after reading Wuthering Heights. Yawn.

book icon  The New Annotated Sherlock Holmes, Sir Arthur Conan Doyle, annotated by Leslie S. Klinger
I remember exactly where it used to be at the Akers Mill Borders Books: on top of the endcap of the mystery aisle, sitting there taunting me in its slipcovered glory. Klinger's annotated Sherlock Holmes, all fifty-six canon stories and the four novels, in three volumes, $120 for the set. Even with Borders' legendary 40 percent off coupons, it was just Too Much. And then in April 2008, A Miracle Occurred. Amazon was selling all their annotated books at eight dollars per volume. $120 worth of books for $24? Let me at it! (For the record, I also bought the annotated Secret Garden.)

And there they have sat, stacked one atop the other in the open shelf at the bottom of the Ann & Hope night table I stained and varnished myself, since then. High time I was reading them, what?
 
These are the first two books of short stories in the canon, The Adventures of Sherlock Holmes and The Memoirs of Sherlock Holmes, all the way through "The Final Problem," which killed off that annoying Holmes for good, or so thought Arthur Conan Doyle, who wanted to write serious historical fiction and just penned Holmes for the cash. When all London donned black armbands at the "death" of Holmes and even Queen Victoria was peeved, Doyle held out three years before bringing Sherlock back. Serious Holmes fans consider these the best of the crop, but even then Doyle was not really caring about his continuity: in one story Mary Watson calls husband John "James." Dorothy Sayers and other writers came to postulate that Watson's middle initial stood for "Hamish," the Scots form of James, and so "James" was her pet name for him.
 
The footnotes in this book take very seriously the fans' belief that there really was a Sherlock Holmes and so many of them try to reconcile the inconsistencies that already had crept into the stories before the second dozen even went to press. You too can join in the mystery, or ponder why so many Holmes' clients were named "Violet," find out what a gasogene and a tantalus are, how realistic digging under the street in "The Red-Headed League" was, how to figure old-style British money and how much it might be worth at the time, what kind of snake came down the rope, and all sorts of Victorian trivia delights. For serious fans of Sherlock Holmes and, of course, those crazy people like me who get the vapors over annotated books.
 
book icon  The Blueberry Years, Jim Minick 
Ask me what I remember most about this book. I remember that it was one of the last books I bought from the going-out-of-business sale at Borders. (Yes, it's been sitting in a TBR pile that long.)

Jim and his wife Sarah, both teachers, dreamed for years of going out to the country and raising blueberries. Jim's grandparents had a farm on which he recalled halcyon days of picking berries, and both of them wanted to contribute something to the environment, so they buy a small farm on the backroads of Virginia and the book chronicles the backbreaking work—and the friends and customers they accumulated—in their efforts to build sustaining pick-it-yourself blueberry acres (they also harvest for a local farmer's market).
 
I have to admit they have a lot of guts for doing this, especially when they were still working. Imaging teaching all day and spending evenings hoeing, trimming, debugging, picking, weeding, replanting, fertilizing, etc. Just reading it is exhausting. And they make some fast friends, including a neighboring farmer who's always ribbing them (but staunchly behind them), and the folks who come pick week after week when they are open—oh, and if you've never farmed, you will probably be aghast at all the hours they work against how short the blueberry growing season is.
 
Between chapters Jim regales you with facts about blueberries, recipes, and the history of blueberry farming (it was turned into a business by a woman). I enjoyed it pretty well, but it didn't get into my heart the way Gladys Taber's books have (I guess I am still looking for a replacement for Taber!); people who garden, have smallholdings, or who farm will probably be the most emotionally invested, however.

book icon  The Key to Flambards, Linda Newbery
I was very skeptical when I discovered there was a sequel to K.M. Peyton's "Flambards" books. I had watched the television series in 1980, fallen in love with it, bought the first three books and loved them just as much, and then was disappointed by the fourth book (although I must admit that the story is logical, I dislike the fact that Peyton had to make a "villain" out of a favorite character to make the changes she did to the story). I didn't know if anything by anyone else could give me that "Flambards" feeling, and even when I was fifty pages into the story I was still skeptical. While I realize Grace had gone through two terrible traumas, she was so self-absorbed I found her annoying, something I never experienced with Christina Parsons.
 
Never fear, Grace finds her voice and her "Flambardness." She is the great-granddaughter of Christina and Will's daughter Isobel. Her mother, Polly, has just divorced her father, who already has a new girlfriend and a new child coming, and, what is worse, Grace has had her right leg amputated at the knee after being struck by a drunk driver. She's depressed and sees herself as less than whole, although her best friend, school friends, mother, and even father assure her she is still loved, needed, and wanted. An active younger teen, she misses being able to run. When her mother is offered a job at the Flambards Trust, which has taken over the Russell estate, Grace doesn't want to go—but once she befriends Jamie and his sister Charlie, the latter who teaches Grace to ride, and also Marcus, a sullen boy whose father works on the estate, she is suddenly reluctant to leave the countryside, the animals, the woods, and most of all, her heritage—and those are all endangered by the Flambards Trust's inability to make enough cash to stay open. If they don't, the fields behind the home will be sold for expensive tract houses and a shopping center.
 
Newbery weaves the old story—including the character of Fergus, who doesn't appear in the television series—into the new very neatly (there's even a nice family tree at the beginning of the book showing how all the Russells are related), and by the time the story gets galloping (no surprise, Grace finds herself a natural rider, just like Christina), you're invested in all the characters. And Newbery does a nice job of linking the actions of the old generation, such as Will and Mark in the Army, to a new generation (Marcus' father Adrian) and how their problems were addressed differently. We also find out what happened to Mark (Newbery vetted this with Peyton) and if he and Christina had children together.

Although her prose cannot match K.M. Peyton's, nevertheless thanks, Linda Newbery, for a new beginning to Flambards.

book icon  St. Nicholas, Volume LIX, November 1931 through October 1932, St. Nicholas Publishing Company
Holy cow, this was the most difficult bound volume of "St. Nicholas" I've ever had to go through. If I thought the changes from The Century Company to Scholastic were bad (St. Nicholas, Volume LVII, May through October 1930, reviewed a few months back), the changes throughout this year were even worse: "The Watch Tower" disappears completely by May, replaced a few months earlier by "The St. Nicholas Handicrafters." The League is whittled down to four pages, and by the time October 1932 rolls around there are only fifty pages (half of it in teeny-tiny print) and eight stories/poems in each issue. Plus, oddly enough, suddenly in May half the ads in the issues are for New York hotels rather than for boys'/girls' schools, bicycles, utilities, toys, etc.

Not to mention "The Young Ravenals" is possibly the worst serial ever to grace the pages of the magazine (seriously, I thought that was "Driven Back to Eden" from the 1880s). Very strange story of a mother who must leave her family to teach in another city when her husband, a muralist, isn't paid due to the Depression. She leaves the family in the capable hands of their "colored" cook, Judy, who breaks her leg right after Mother leaves. So the four kids, from high schooler Randolph down to perpetually hungry eight-year-old Bobby, and artist dad try to cope with little success since apparently not one of them knows a thing about keeping house. The two sisters, one an aspiring concert pianist, have a problem with the same boy, who's a pilot, with a denouement that involves a laundry basket and a mud slide. Other serials are better, but just marginally: "The Return of the Ruby" is obnoxiously imperialist, "Tommy Dane on the Royal Road" chock full of violence, and the only hope comes from "The White Feather," the serial which is left hanging when the volume ends, which has a topping heroine named "Bobby" with a strong sense of justice.

book icon  A Thread Across the Ocean, John Steele Gordon
The story of the transatlantic cable from American history class (400 years in about 200 hours): Cyrus Field hired a ship, laid the first cable, it broke, they laid a second cable, it worked. Everyone was happy.
 
Of course, like everything, there's lots more to the story. As with the moon landing, many people didn't care that they couldn't talk to Europe. That was a rich person's problem, wasn't it? And there was the matter of money: the British were eager to finance it, the U.S. Government couldn't have cared less. Field had to get financing for the cable from American businessmen. (Field, son of a clergyman, had a prodigious family history: two of his brothers were lawyers, a third was a minister who also wrote an account of the laying of the cable, his great-great-whatever grandfather John Field was the first Englishman to disseminate Copernicus' theory of heliocentricity to the British Isles.) The cable had to be specially made (the copper they were initially going to use was so impure it barely transferred electrical power; it couldn't be sheathed in rubber because that was then too fragile, so they were required to use gutta-percha instead), the ships had to be specially fitted to lay the cable, they had to find the shortest route (it was initially going to be laid from Halifax, Nova Scotia, but the shortest distance across the ocean was from St. John's, Newfoundland, a tiny village)...well, you have to read the entire story to get the idea of the technological and meteorological hardships they ran into. Plus a lot of familiar historic names pop up, like Samuel Morse, the painter who invented telegraphy, and Peter Cooper, who built the first functioning U.S. locomotive.

What reads as "so old fashioned" today was the technological miracle of its kind, and as groundbreaking as and in reality the forerunner of our world-wide telephone and internet system.
 
book icon  Janie's Freedom, Callie Smith Grant
The war between the States is over, and Rubyhill Plantation lies in ruins. The widowed owner leaves for her home in Pennsylvania, but not before reminding the slaves that they are now free and may have anything they find in the house (she also apologizes to them, which is a shock to everyone). Eleven-year-old Janie, ripped away from her parents when she was only six years old, and since then under the care of elderly Aunty Mil, wonders what she will do next, but the older former slaves say the best thing for Janie and the other young people of the plantation, teenage Aleta and Blue, and twins Nathan and Lucy, is to head north to a place called Chicago where they have heard "colored" people are respected. In warm clothes foraged from the house and food supplied by the older people, the five children head north, while at another plantation, Janie's mother waits, hoping her husband will return to her (he was sent away to work on a chain gang during the war).
 
Janie and her friends head north just as autumn approaches. Many days they know hunger, and they are afraid to beg for food for fear of antagonizing white people. Yet on their journey they are surprised to be helped by at least one white boy, and when they are in their greatest hour of need, a dirty red-haired girl helps the five despite her own distressing living conditions. In the meantime Anna, Janie's mother, just wishes that she could find her daughter again.

All these "Sisters at Heart" books are Christian-oriented, but this one seems more Christian-themed than the others I've read, and it makes the book seem a little stereotypical (Janie is good at singing spirituals, for instance, and of course there is the standard Very Happy Ending as ordained by God). It's a very gentle retelling of the former slave experience which would probably be appropriate for a younger child.
 
book icon  The Girl Who Chased Away Sorrow: The Story of Sarah Nita, a Navajo Girl, Ann Turner
This is certainly a more realistic book than "Dear America's" previous Native American effort, which tried to put a positive spin on the Carlisle Indian School. In fact, it's a downright sad narrative, as it should be. Sarah Nita, a Navajo girl, lives with her parents and little sister Kaibah in what will eventually become the eastern edge of the state of Arizona. It is 1864, and the US Cavalry is tired of the raids the Navajo are carrying out against white settlers. So they are rounding them to send to a fort in what is now New Mexico. The sisters escape the first sweep that takes their parents, and they courageously walk all the way to a canyon where other Navajo live and are taken in. But the soldiers are relentless, capture the canyon tribe, and Sarah Nita and Kaibah join the exhausting forced march that will take them all the way to Ft. Sumter almost to the Texas line. (Think the story of the Trail of Tears from Cherokee history and you will have it, only instead in a desert setting, which makes it worse.)
 
In a change from the original diary format, since Sarah Nita did not know English dates, she tells her granddaughter, who is writing the story down, the entries are headed by her memories of a certain day. This seems to have confounded a few readers, who complained they couldn't tell "what date it was." A Navajo girl in 1864 would not know that info, and to me it made the story more realistic.
 
It's an extremely moving story, but also slow moving, and what happens to the children and to the tribe could be very disturbing to a sensitive child. Care must be taken that this will not traumatize the reader; he or she might need some preparation first, or wait until they are a little older.
 
book icon  A Cruel Deception, Charles Todd
In this latest of the Bess Crawford mysteries, the Great War is over, and Bess is still providing post-operative care for the wounded, but she's wondering about her future. If she continues in nursing, she wishes to keep working with soldiers. But she is summoned to London for a clandestine meeting with the Matron of nursing, who wishes Bess to go to Paris to get information about her son. He was taking part in the peace talks, but has abruptly cut off communication. Matron believes he may be having problems after being wounded years earlier at the Battle of Mons. Bess soon finds her quarry, Lieutenant Lawrence Minton, and is deeply disturbed to find him addicted to laundanum and suffering from crippling guilt, with only a French friend to try to curb his destructiveness.
 
The first half of the story moves very slowly as Bess tries desperately to discover what has driven Lt. Minton to the brink of insanity. Once the story shifts to Paris the pace picks up as Bess enlists a Parisian doctor and his wife in helping the officer, but this only endangers Bess' life. What terrible secret is Minton holding back that violence is being done in his name?
 
One of the problems with this book is its title. You know from the start that Minton is no danger to Bess, Marina, or anyone because the title tells you so: he's being deceived. The mystery is what the deception is.

For those who have read all or most of the Bess Crawford series and wonder: Simon's not in this one. He's supposed to be in Scotland and may "have a lassie." This thought does give Bess some pause...but is it a sisterly pause, or a lover's pause? There will be no resolution to that question in this book! However, there is a clue that Bess may be on his mind.
 
book icon  MASH: An Army Surgeon in Korea, Otto F. Apel, MD and Pat Apel
How true was M*A*S*H, the movie and the television series? Well, the doctors there pretty much didn't have a stable of writers ready for a quick quip. But the fact that the doctors didn't respect military tradition that much? Or that the work was dirty, exhausting, frightening, and daunting? That the weather was often sizzlingly hot or numbingly cold? All true and in spades.
 
Dr. Apel writing is a bit dry and contains statistical figures, but still fascinating story of the reality of the MASH units that existed for only a short time on Korean soil (they were changed before the Korean War even ended). I was appalled to discover that all the MASH doctors were just pretty much shipped to the front with no training on how to deal with battle wounds, military protocol, or even the living conditions. Unlike the rawest of soldiers, they didn't even have basic training. When Apel came off the jeep from Japan, a Korean teenager took his bags to his tent, and he proceeded to being in the operating room for over 80 hours, and thus began his one year tour of duty.

Apel served as an advisor to the television series for two years, and if you were a M*A*S*H  viewer, you will see some of the stories his experiences inspired, including the episode where everyone dyes their hair red and another where a peephole in the nurses' shower is arranged. The most interesting part of the story talks about the advances in vascular surgery that came from the surgeons' experimentation at the MASH units. The surgeons had been forbidden to do the surgery by the Army, who said it was quicker just to amputate the limb affected by the arterial injury, but the doctors felt not repairing the injury went against their Hippocratic oath.

If you want the real skinny on a MASH unit, this may be the book for you.