What a total surprise to find this book; I didn't know it existed. Walt's life has been stringently chronicled (I have most of his bios, even the defamatory one), but his early years not in so much detail as this provides. Kiste goes back to the early history of the Disney family (Norman French who later settled in Ireland, then emigrated to Canada and later to the United States. There's a great deal more about Walt's father Elias and mother Flora; their life in Chicago, Marceline, Missouri, and Kansas City; plus about the other adult figures in Walt's short childhood, and the bond with his brother Roy. While there are not many more details about Walt's early life that have not been covered briefly in other biographies, Kiste expands the experience by talking about the historic events going on around Walt at the time: the changing status of the Midwest as the country shifted from an agricultural country to an industrial one, the average life of a farm family at the time, what Walt would have experienced in France as an ambulance driver, and the craft of early animation.
Takes a "deep dive" into what Walt would have experienced. Includes a tour of the reconstructed Disney home on Tripp Avenue in Chicago where Roy, Walt, and Ruth Disney were born.
Joni Lark, celebrated songwriter, with her creations performed by the likes of Willa Gray (think Taylor Swift), has suffered a setback ever since her mother was diagnosed with dementia: she can't write. But after she meets arrogant Sebastian Fell, son of hit rock star Roman Fell (who Joni's mom once performed with), a melody starts running through her head, and a voice begins speaking to her, a wry, lonely guy who claims he keeps hearing her thoughts. After Joni convinces herself she's not going crazy, she starts to warm up to the voice in her head, as he does to hers. It's this companion who's keeping her from losing it when she returns to her hometown of Vienna Shores, North Carolina, and her parents' business, a music hall called the Revelry, where she hopes to break her writer's block. Instead, she finds out her parents mean to close the venue, and that even her best friend is going through changes she can't talk about.
As in all Poston's romances, a little bit of otherworldly air in this sweet novel, which addresses what happens when stress causes your creativity to dry up, and, most importantly, making the most of the time you have left when medical problems intervene.
This is part of HarperCollins "Everyday Life in America" series. (I have all the others.) It covers the period from the end of the early colonial period through the Revolutionary War, addressing topics from how (and what style of) homes were built, who lived in them (originally just one room, it wasn't just a nuclear family, but possibly grandparents, grandchildren, adult unmarried siblings, even the hired hand or a servant), what they ate, how their children were treated (as the century went on, even lower-class families cherished their youngsters more) and then how the elderly were treated (they often ended up at the almshouse), how and what they worked at, and how injustices and crimes were handled (yes, men had the upper hand, but a man could still be put to death for murdering his wife). One of those books where you wondered how people survived even the most day-to-day crises.
Fourth in a series of nonfiction inspirational books by Baldwin, who was a popular "woman's novel" author of the 1920s through the 1970s (she'd be shocked, I think by the "dark romances" currently in vogue). She was also a popular speaker at women's clubs and religious gatherings. I picked up her nonfiction because she was a friend of Gladys Taber, and these books are similar, although not as compelling. A seasonal tour through one year in her life.
This is a sequel to Hazelwood's Not in Love, about Eli Kilgore's rebellious younger sister Maya. She and Eli's friends and co-workers are in Italy for Rue and Eli's destination wedding in Taormina when almost all of them get food poisoning. This leaves Maya to obsess about her brother's partner Conor Harkness, who's dark and broody due to a really obnoxious family situation, but whom she became friends with years earlier during an emotional crisis.
The "problematic" part of the romance is that Conor is fifteen years older than Maya, and he thinks the gap will ruin her life if he engages with her. For me, the "problematic" bit is that for a mid-twenty-ish professional, Maya acts like a spoiled teenager and constantly flaunts herself in front of Conor thinking that seducing him will change his mind. Very frustrating reading. The protagonists from Deep End, which seems to be very popular, have a cameo.
I'll read anything that takes my interest, and I have picture books, like The Parakeet Girl, in the library to prove it. The cover of this book immediately caught me. It was only after I bought it that I realized that I'd seen the author's comics shared on Facebook.
Lia is a 12-year-old Romanian girl whose family (mom, dad, and little brother Denis) is moving to Montreal. If it isn't bad enough to be torn from school and her best friend, she gets her first period at the airport! After a summer spent trying to learn French, she starts school where they put her (and other immigrants) in an immersive homeroom to improve her French. Lia thinks she'll never make friends, but slowly she does, and her talent at art eventually gets her a spot on the school newsletter.
One of the reasons I bought this is that Lia is finally an adolescent protagonist I could identify with: she has horrible cramps every month (which, thankfully her parents, like mine, and her school—unlike mine—sympathized with). This was a great graphic novel, and I want a sequel because does her classmate ever tell her about their crush???? I enjoyed this more than Ali Hazelwood's new book!
I found a surfeit of illustrations by Hughes online one day, having loved her art for years, and wondered if there was a book about her career as an illustrator, like existed for Beatrix Potter or Tasha Tudor. Well, yes, there is: this book, from her childhood reading comics through her children's book series like "Alfie."
The book includes the sketches she made in art school, quick little illos in the margins, and beautiful two-page spreads of memories from her lifetime, including a gorgeous one of a railway station during World War II, with families and wives saying farewell to their soldiers. Great stuff for Hughes fans. Can be found used for reasonable prices.
Inspirational book about a lost puppy who learns life lessons from a dying wolf—basically, enjoy your whole life, not just the goals, but the journey itself. The watercolor illustrations are beautiful.
Maybe this was a strange reading choice for a new widow, but it was actually very helpful, if slightlymacabre. Doughty was fascinated by mortality from childhood, and the book chronicles her years working at a crematory, and how it solidified her feelings concerning the deflecting way we treat death in the modern world.
If nothing else, it made me feel better about our decision as a couple to use cremation as a body disposal method. Dead bodies packed in overpriced containers taking up land needed for living people seems selfish, and the descriptions of embalming were just gross, not to mention that embalming fluid and other chemicals contained in coffins are now leaching into our ground water. Let's not even talk about the "extras" they talk you into.
I suspect this was published to feed the interest in New York City crime engendered by Law & Order, since it came out four years after the series premiered. It's a collection of stories about NYPD detectives and some of their more interesting cases, from drug busts to murder cases.
My first "dark academia book. Ann Stilwell is eager to get away from Walla Walla, Washington, after the tragic death of her father. Excited by academia, the work of her academic tutor on augury, and the idea of working in New York City, she accepts a summer job at the Met, only to be snapped up by Patrick, a curator at the Cloisters, Manhattan's evocative medieval museum. Here she meets Rachel, sophisticated and with all the connections, and Leo, the earthy but sexy gardener for the institution. Curator Patrick and Rachel enlist Ann to delve into the secrets of a tarot deck from the Renaissance era, but the twisted secrets of the personalities soon make Ann wonder: who should she trust? I enjoyed it.